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Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3)

auctore Shearjashub Spooner

Capitula (251)
  1. ANECDOTES 0:00
  2. PAINTERS, ENGRAVERS: Sculptors and Architects, 0:03
  3. S. SPOONER, M. D., 0:13
  4. TITIAN,—SKETCH OF HIS LIFE. 0:37
  5. TITIAN'S MANNERS. 5:27
  6. TITIAN'S WORKS. 7:05
  7. TITIAN'S IMITATORS. 9:00
  8. TITIAN'S VENUS AND ADONIS. 9:23
  9. TITIAN AND THE EMPEROR CHARLES V. 12:17
  10. TITIAN AND PHILIP II. 16:56
  11. TITIAN'S LAST SUPPER AND EL MUDO. 17:58
  12. TITIAN'S OLD AGE. 18:57
  13. MONUMENT TO TITIAN. 19:54
  14. HORACE VERNET. 20:28
  15. THE COLOSSEUM. 38:30
  16. NINEVEH AND ITS REMAINS. 45:22
  17. DESCRIPTION OF A PALACE EXHUMED AT NIMROUD. 49:10
  18. ORIGIN AND ANTIQUITY OF THE ARCH. 55:53
  19. ANTIQUITIES OF HERCULANEUM, POMPEII, AND STABIÆ. 58:23
  20. ANCIENT FRESCO AND MOSAIC PAINTING. 1:15:01
  21. MOSAIC OF THE BATTLE OF PLATÆA. 1:15:32
  22. THE ALDOBRANDINI WEDDING. 1:16:15
  23. THE PORTLAND VASE. 1:16:46
  24. ANCIENT PICTURES OF GLASS. 1:18:56
  25. HENRY FUSELI—HIS BIRTH. 1:20:23
  26. FUSELI'S EARLY LOVE OF ART. 1:21:03
  27. FUSELI'S LITERARY AND POETICAL TASTE. 1:21:48
  28. FUSELI, LAVATER, AND THE UNJUST MAGISTRATE. 1:22:38
  29. FUSELI'S TRAVELS, AND HIS LITERARY DISTINCTION. 1:23:51
  30. FUSELI'S ARRIVAL IN LONDON. 1:25:24
  31. FUSELI'S CHANGE FROM LITERATURE TO PAINTING. 1:26:11
  32. FUSELI'S SOJOURN IN ITALY. 1:28:09
  33. FUSELI'S "NIGHTMARE." 1:29:28
  34. FUSELI'S "ŒDIPUS AND HIS DAUGHTERS." 1:30:15
  35. FUSELI AND THE SHAKSPEARE GALLERY. 1:30:56
  36. FUSELI'S "HAMLET'S GHOST." 1:32:44
  37. FUSELI'S "TITANIA." 1:33:41
  38. FUSELI'S ELECTION AS A ROYAL ACADEMICIAN. 1:35:28
  39. FUSELI AND HORACE WALPOLE. 1:36:26
  40. FUSELI AND THE BANKER COUTTS. 1:37:15
  41. FUSELI AND PROF. PORSON. 1:38:39
  42. FUSELI'S METHOD OF GIVING VENT TO HIS PASSION. 1:39:08
  43. FUSELI'S LOVE FOR TERRIFIC SUBJECTS. 1:39:36
  44. FUSELI'S AND LAWRENCE'S PICTURES FROM THE "TEMPEST." 1:40:52
  45. FUSELI'S ESTIMATE OF REYNOLDS' ABILITIES IN HISTORICAL PAINTING. 1:41:47
  46. FUSELI AND LAWRENCE. 1:42:26
  47. FUSELI AS KEEPER OF THE ROYAL ACADEMY. 1:43:13
  48. FUSELI'S JESTS AND ODDITIES WITH THE STUDENTS OF THE ACADEMY. 1:44:15
  49. FUSELI'S SARCASMS ON NORTHCOTE. 1:46:00
  50. FUSELI'S' SARCASMS ON VARIOUS RIVAL ARTISTS. 1:47:06
  51. FUSELI'S RETORTS. 1:48:42
  52. FUSELI'S SUGGESTION OF AN EMBLEM OF ETERNITY 1:50:51
  53. FUSELI'S REPORT IN MR. COUTTS' BANKING HOUSE. 1:51:39
  54. FUSELI'S GENERAL SARCASMS ON LANDSCAPE AND PORTRAIT PAINTERS. 1:52:45
  55. FUSELI'S OPINION OF HIS OWN ATTAINMENT OF HAPPINESS. 1:53:29
  56. FUSELI'S PRIVATE HABITS. 1:54:10
  57. FUSELI'S WIFE'S METHOD OF CURING HIS FITS OF DESPONDENCY. 1:55:08
  58. FUSELI'S PERSONAL APPEARANCE, HIS SARCASTIC DISPOSITION, AND QUICK TEMPER. 1:56:55
  59. FUSELI'S NEAR SIGHT. 1:58:43
  60. FUSELI'S POPULARITY. 1:59:12
  61. FUSELI'S ARTISTIC MERITS. 1:59:47
  62. FUSELI'S MILTON GALLERY, THE CHARACTER OF HIS WORKS, AND THE PERMANENCY OF HIS FAME. 2:01:26
  63. SALVATOR ROSA. 2:03:09
  64. SALVATOR ROSA AND CAV. LANFRANCO. 2:03:45
  65. SALVATOR ROSA AT ROME AND FLORENCE. 2:04:42
  66. SALVATOR ROSA'S RETURN TO ROME. 2:05:55
  67. SALVATOR ROSA'S SUBJECTS. 2:07:07
  68. FLAGELLATION OF SALVATOR ROSA. 2:09:36
  69. SALVATOR ROSA AND THE HIGGLING PRINCE. 2:11:14
  70. SALVATOR ROSA'S OPINION OF HIS OWN WORKS. 2:13:03
  71. SALVATOR ROSA'S BANDITTI. 2:13:31
  72. SALVATOR ROSA AND MASSANIELLO. 2:15:36
  73. SALVATOR ROSA AND CARDINAL SFORZA. 2:16:18
  74. SALVATOR ROSA'S MANIFESTO CONCERNING HIS SATIRICAL PICTURE LA FORTUNA. 2:17:28
  75. SALVATOR ROSA'S BANISHMENT FROM ROME. 2:19:11
  76. SALVATOR ROSA'S WIT. 2:20:09
  77. SALVATOR ROSA'S RECEPTION AT FLORENCE. 2:20:53
  78. HISTRIONIC POWERS OF SALVATOR ROSA. 2:21:26
  79. SALVATOR ROSA'S RECEPTION AT THE PALAZZO PITTI. 2:22:33
  80. SATIRES OF SALVATOR ROSA. 2:23:19
  81. SALVATOR ROSA'S HARPSICHORD. 2:24:09
  82. RARE PORTRAIT BY SALVATOR ROSA. 2:24:57
  83. SALVATOR ROSA'S RETURN TO ROME. 2:27:55
  84. SALVATOR ROSA'S LOVE OF MAGNIFICENCE. 2:28:58
  85. SALVATOR ROSA'S LAST WORKS. 2:31:35
  86. SALVATOR ROSA'S DESIRE TO BE CONSIDERED AN HISTORICAL PAINTER. 2:32:02
  87. DON MARIO GHIGI, HIS PHYSICIAN, AND SALVATOR ROSA. 2:33:52
  88. DEATH OF SALVATOR ROSA. 2:36:39
  89. DOMENICHINO. 2:44:36
  90. THE DULLNESS OF DOMENICHINO IN YOUTH. 2:45:18
  91. DOMENICHINO'S SCOURGING OF ST. ANDREW. 2:48:05
  92. THE COMMUNION OF ST. JEROME. 2:49:19
  93. DOMENICHINO'S ENEMIES AT ROME. 2:50:17
  94. DECISION OF POSTERITY ON THE MERITS OF DOMENICHINO. 2:52:05
  95. PROOF OF THE MERITS OF DOMENICHINO. 2:52:52
  96. DOMENICHINO'S CARICATURES. 2:53:17
  97. INTRIGUES OF THE NEAPOLITAN TRIUMVIRATE OF PAINTERS. 2:54:44
  98. GIUSEPPE RIBERA, CALLED IL SPAGNOLETTO—HIS EARLY POVERTY AND INDUSTRY. 3:01:18
  99. RIBERA'S MARRIAGE. 3:02:41
  100. RIBERA'S RISE TO EMINENCE. 3:03:44
  101. RIBERA'S DISCOVERY OF THE PHILOSOPHER'S STONE. 3:04:38
  102. RIBERA'S SUBJECTS. 3:05:53
  103. RIBERA'S DISPOSITION. 3:06:21
  104. SINGULAR PICTORIAL ILLUSIONS. 3:07:13
  105. RAFFAELLE'S SKILL IN PORTRAITS. 3:08:44
  106. JACOPO DA PONTE. 3:09:09
  107. GIOVANNI ROSA. 3:09:44
  108. CAV. GIOVANNI CONTARINI. 3:10:07
  109. GUERCINO'S POWER OF RELIEF. 3:10:31
  110. BERNAZZANO. 3:11:15
  111. INVENTION OF OIL PAINTING. 3:12:00
  112. FORESHORTENING. 3:17:39
  113. METHOD OF TRANSFERRING PAINTINGS FROM WALLS AND PANELS TO CANVASS. 3:18:57
  114. WORKS IN SCAGLIOLA. 3:20:58
  115. THE GOLDEN AGE OF PAINTING. 3:23:30
  116. GOLDEN AGE OF THE FINE ARTS IN ANCIENT ROME. 3:27:20
  117. NERO'S GOLDEN PALACE. 3:31:44
  118. NAMES OF ANCIENT ARCHITECTS DESIGNATED BY REPTILES. 3:33:14
  119. TRIUMPHAL ARCHES. 3:34:12
  120. STATUE OF POMPEY THE GREAT. 3:36:45
  121. OF ANTIQUE SCULPTURES IN ROME. 3:37:50
  122. ANCIENT MAP OF ROME. 3:38:29
  123. JULIAN THE APOSTATE. 3:39:09
  124. THE TOMB OF MAUSOLUS. 3:39:49
  125. MANDROCLES' BRIDGE ACROSS THE BOSPHORUS. 3:41:10
  126. THE COLOSSUS OF THE SUN AT RHODES. 3:42:11
  127. STATUES AND PAINTINGS AT RHODES. 3:43:48
  128. SOSTRATUS' LIGHT-HOUSE ON THE ISLE OF PHAROS. 3:44:16
  129. DINOCRATES' PLAN FOR CUTTING MOUNT ATHOS INTO A STATUE OF ALEXANDER THE GREAT. 3:45:46
  130. POPE'S IDEA OF FORMING MOUNT ATHOS INTO A STATUE OF ALEXANDER THE GREAT. 3:47:32
  131. TEMPLE WITH AN IRON STATUE SUSPENDED IN THE AIR BY LOADSTONE. 3:49:42
  132. THE TEMPLE OF JUPITER OLYMPIUS AT ATHENS. 3:50:18
  133. THE PARTHENON AT ATHENS. 3:52:44
  134. THE ELGIN MARBLES. 3:54:53
  135. ODEON, OR ODEUM. 4:08:34
  136. PERPETUAL LAMPS. 4:09:28
  137. THE SKULL OF RAFFAELLE. 4:10:21
  138. THE FOUR FINEST PICTURES IN ROME. 4:10:52
  139. THE FOUR CARLOS OF THE 17TH CENTURY. 4:11:11
  140. PIETRO GALLETTI AND THE BOLOGNESE STUDENTS. 4:11:33
  141. ÆTION'S PICTURE OF THE NUPTIALS OF ALEXANDER AND ROXANA. 4:12:04
  142. AGELADAS. 4:12:36
  143. THE PORTICOS OF AGAPTOS. 4:13:05
  144. THE GROUP OF NIOBE AND HER CHILDREN. 4:13:27
  145. STATUE OF THE FIGHTING GLADIATOR. 4:15:21
  146. THE GROUP OF LAOCOÖN IN THE VATICAN. 4:15:46
  147. MICHAEL ANGELO'S OPINION OF THE LAOCOÖN. 4:19:38
  148. DISCOVERY OF THE LAOCOÖN. 4:20:07
  149. SIR JOHN SOANE. 4:21:03
  150. SOANE'S LIBERALITY AND PUBLIC MUNIFICENCE. 4:23:17
  151. THE BELZONI SARCOPHAGUS. 4:25:45
  152. TASSO'S "GERUSALEMME LIBERATA." 4:27:23
  153. GEORGE MORLAND. 4:29:13
  154. MORLAND'S EARLY TALENT. 4:31:01
  155. MORLAND'S EARLY FAME. 4:31:46
  156. MORLAND'S MENTAL AND MORAL EDUCATION, UNDER AN UNNATURAL PARENT. 4:33:08
  157. MORLAND'S ESCAPE FROM THE THRALDOM OF HIS FATHER. 4:35:22
  158. MORLAND'S MARRIAGE, AND TEMPORARY REFORM. 4:36:35
  159. MORLAND'S SOCIAL POSITION. 4:38:08
  160. AN UNPLEASANT DILEMMA. 4:39:07
  161. MORLAND AT THE ISLE OF WIGHT. 4:40:20
  162. A NOVEL MODE OF FULFILLING COMMISSIONS. 4:41:13
  163. HASSELL'S FIRST INTERVIEW WITH MORLAND. 4:41:55
  164. MORLAND'S DRAWINGS IN THE ISLE OF WIGHT. 4:42:50
  165. MORLAND'S FREAKS. 4:43:36
  166. A JOKE ON MORLAND. 4:44:21
  167. MORLAND'S APPREHENSION AS A SPY. 4:45:24
  168. MORLAND'S "SIGN OF THE BLACK BULL." 4:46:04
  169. MORLAND AND THE PAWNBROKER. 4:47:39
  170. MORLAND'S IDEA OF A BARONETCY. 4:48:46
  171. MORLAND'S ARTISTIC MERIT. 4:49:13
  172. CHARLES JERVAS. 4:51:22
  173. JERVAS THE INSTRUCTOR OF POPE. 4:52:02
  174. JERVAS AND DR. ARBUTHNOT. 4:53:13
  175. JERVAS' VANITY. 4:53:42
  176. HOLBEIN AND THE FLY. 4:54:47
  177. HOLBEIN'S VISIT TO ENGLAND. 4:55:22
  178. HENRY VIII.'S OPINION OF HOLBEIN. 4:56:09
  179. HOLBEIN'S PORTRAIT OF THE DUCHESS DOWAGER OF MILAN. 4:57:43
  180. HOLBEIN'S FLATTERY IN PORTRAITS—A WARNING TO PAINTERS. 4:58:33
  181. HOLBEIN'S PORTRAIT OF CRATZER. 4:59:15
  182. HOLBEIN'S PORTRAITS OF SIR THOMAS MORE AND FAMILY. 4:59:56
  183. SIR JOHN VANBRUGH AND HIS CRITICS. 5:01:18
  184. ANECDOTE OF THE ENGLISH PAINTER JAMES SEYMOUR. 5:04:11
  185. PRECOCITY OF LUCA GIORDANO. 5:05:45
  186. GIORDANO'S ENTHUSIASM. 5:06:52
  187. LUCA FA PRESTO. 5:07:42
  188. GIORDANO'S SKILL IN COPYING. 5:08:40
  189. GIORDANO'S SUCCESS AT NAPLES. 5:09:16
  190. GIORDANO, THE VICEROY, AND THE DUKE OF DIANO. 5:10:30
  191. GIORDANO INVITED TO FLORENCE. 5:12:23
  192. GIORDANO AND CARLO DOLCI. 5:12:52
  193. GIORDANO'S VISIT TO SPAIN. 5:13:26
  194. GIORDANO'S WORKS IN SPAIN. 5:15:28
  195. GIORDANO AT THE ESCURIAL. 5:16:30
  196. GIORDANO'S HABITS IN SPAIN. 5:17:21
  197. GIORDANO'S FIRST PICTURES PAINTED AT MADRID. 5:18:32
  198. GIORDANO A FAVORITE AT COURT. 5:19:24
  199. GIORDANO'S RETURN TO NAPLES. 5:22:48
  200. GIORDANO'S PERSONAL APPEARANCE AND CHARACTER. 5:24:02
  201. GIORDANO'S RICHES. 5:25:08
  202. GIORDANO'S WONDERFUL FACILITY OF HAND. 5:25:44
  203. GIORDANO'S POWERS OF IMITATION. 5:27:21
  204. GIORDANO'S FAME AND REPUTATION. 5:28:07
  205. REMARKABLE INSTANCE OF GIORDANO'S RAPIDITY OF EXECUTION. 5:30:32
  206. REVIVAL OF PAINTING IN ITALY. 5:32:51
  207. GIOVANNI CIMABUE. 5:42:59
  208. CIMABUE'S PASSION FOR ART. 5:44:42
  209. CIMABUE'S FAMOUS PICTURE OF THE VIRGIN. 5:45:59
  210. THE WORKS OF CIMABUE. 5:47:47
  211. DEATH OF CIMABUE. 5:49:59
  212. GIOTTO. 5:50:42
  213. GIOTTO'S ST. FRANCIS STIGMATA 5:54:03
  214. GIOTTO'S INVITATION TO ROME. 5:55:02
  215. GIOTTO'S LIVING MODEL. 5:57:39
  216. GIOTTO AND THE KING OF NAPLES. 6:00:39
  217. GIOTTO AND DANTE. 6:03:01
  218. DEATH OF GIOTTO. 6:03:23
  219. BUONAMICO BUFFALMACCO. 6:04:15
  220. BUFFALMACCO AND HIS MASTER. 6:05:04
  221. BUFFALMACCO AND THE NUNS OF THE CONVENT OF FAENZA. 6:08:55
  222. BUFFALMACCO AND THE NUNS' WINE. 6:11:35
  223. BUFFALMACCO, BISHOP GUIDO, AND HIS MONKEY. 6:12:58
  224. BUFFALMACCO'S TRICK ON THE BISHOP OF AREZZO. 6:17:52
  225. ORIGIN OF LABEL PAINTING. 6:20:10
  226. UTILITY OF ANCIENT WORKS. 6:22:45
  227. BUFFALMACCO AND THE COUNTRYMAN. 6:24:30
  228. BUFFALMACCO AND THE PEOPLE OF PERUGIA. 6:26:37
  229. BUFFALMACCO'S NOVEL METHOD OF ENFORCING PAYMENT. 6:28:22
  230. STEFANO FIORENTINO. 6:29:36
  231. GIOTTINO. 6:30:41
  232. PAOLO UCCELLO. 6:31:23
  233. UCCELLO'S ENTHUSIASM. 6:32:58
  234. UCCELLO AND THE MONKS OF SAN MINIATO. 6:34:25
  235. UCCELLO'S FIVE PORTRAITS. 6:36:01
  236. UCCELLO'S INCREDULITY OF ST. THOMAS. 6:37:00
  237. THE ITALIAN SCHOOLS OF PAINTING. 6:38:40
  238. CLAUDE JOSEPH VERNET. 6:41:50
  239. VERNET'S PRECOCITY. 6:42:37
  240. VERNET'S ENTHUSIASM. 6:43:21
  241. VERNET AT ROME. 6:47:05
  242. VERNET'S "ALPHABET OF TONES." 6:48:10
  243. VERNET AND THE CONNOISSEUR. 6:49:46
  244. VERNET'S WORKS. 6:50:48
  245. VERNET'S PASSION FOR MUSIC 6:56:40
  246. VERNET'S OPINION OF HIS OWN MERITS. 6:59:00
  247. CURIOUS LETTER OF VERNET. 6:59:54
  248. CHARLES VERNET. 7:02:25
  249. ANECDOTE OF CHARLES VERNET. 7:03:30
  250. M. DE LASSON'S CARICATURE. 7:04:10
  251. FRANK HALS AND VANDYKE. 7:04:59
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Recitator
Howard — Erudite New England Antiquarian (en-US)
Diuturnitas
7 hr 6 min
Lingua
English
Additum
October 6, 2026
Liber electronicus originalis
Project Gutenberg
Licentia
Public domain
Operculum “Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3)”, auctore Shearjashub Spooner