Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3)
by Shearjashub Spooner
Chapters (251)
- 1 ANECDOTES 0:00
- 2 PAINTERS, ENGRAVERS: Sculptors and Architects, 0:03
- 3 S. SPOONER, M. D., 0:13
- 4 TITIAN,—SKETCH OF HIS LIFE. 0:37
- 5 TITIAN'S MANNERS. 5:27
- 6 TITIAN'S WORKS. 7:05
- 7 TITIAN'S IMITATORS. 9:00
- 8 TITIAN'S VENUS AND ADONIS. 9:23
- 9 TITIAN AND THE EMPEROR CHARLES V. 12:17
- 10 TITIAN AND PHILIP II. 16:56
- 11 TITIAN'S LAST SUPPER AND EL MUDO. 17:58
- 12 TITIAN'S OLD AGE. 18:57
- 13 MONUMENT TO TITIAN. 19:54
- 14 HORACE VERNET. 20:28
- 15 THE COLOSSEUM. 38:30
- 16 NINEVEH AND ITS REMAINS. 45:22
- 17 DESCRIPTION OF A PALACE EXHUMED AT NIMROUD. 49:10
- 18 ORIGIN AND ANTIQUITY OF THE ARCH. 55:53
- 19 ANTIQUITIES OF HERCULANEUM, POMPEII, AND STABIÆ. 58:23
- 20 ANCIENT FRESCO AND MOSAIC PAINTING. 1:15:01
- 21 MOSAIC OF THE BATTLE OF PLATÆA. 1:15:32
- 22 THE ALDOBRANDINI WEDDING. 1:16:15
- 23 THE PORTLAND VASE. 1:16:46
- 24 ANCIENT PICTURES OF GLASS. 1:18:56
- 25 HENRY FUSELI—HIS BIRTH. 1:20:23
- 26 FUSELI'S EARLY LOVE OF ART. 1:21:03
- 27 FUSELI'S LITERARY AND POETICAL TASTE. 1:21:48
- 28 FUSELI, LAVATER, AND THE UNJUST MAGISTRATE. 1:22:38
- 29 FUSELI'S TRAVELS, AND HIS LITERARY DISTINCTION. 1:23:51
- 30 FUSELI'S ARRIVAL IN LONDON. 1:25:24
- 31 FUSELI'S CHANGE FROM LITERATURE TO PAINTING. 1:26:11
- 32 FUSELI'S SOJOURN IN ITALY. 1:28:09
- 33 FUSELI'S "NIGHTMARE." 1:29:28
- 34 FUSELI'S "ŒDIPUS AND HIS DAUGHTERS." 1:30:15
- 35 FUSELI AND THE SHAKSPEARE GALLERY. 1:30:56
- 36 FUSELI'S "HAMLET'S GHOST." 1:32:44
- 37 FUSELI'S "TITANIA." 1:33:41
- 38 FUSELI'S ELECTION AS A ROYAL ACADEMICIAN. 1:35:28
- 39 FUSELI AND HORACE WALPOLE. 1:36:26
- 40 FUSELI AND THE BANKER COUTTS. 1:37:15
- 41 FUSELI AND PROF. PORSON. 1:38:39
- 42 FUSELI'S METHOD OF GIVING VENT TO HIS PASSION. 1:39:08
- 43 FUSELI'S LOVE FOR TERRIFIC SUBJECTS. 1:39:36
- 44 FUSELI'S AND LAWRENCE'S PICTURES FROM THE "TEMPEST." 1:40:52
- 45 FUSELI'S ESTIMATE OF REYNOLDS' ABILITIES IN HISTORICAL PAINTING. 1:41:47
- 46 FUSELI AND LAWRENCE. 1:42:26
- 47 FUSELI AS KEEPER OF THE ROYAL ACADEMY. 1:43:13
- 48 FUSELI'S JESTS AND ODDITIES WITH THE STUDENTS OF THE ACADEMY. 1:44:15
- 49 FUSELI'S SARCASMS ON NORTHCOTE. 1:46:00
- 50 FUSELI'S' SARCASMS ON VARIOUS RIVAL ARTISTS. 1:47:06
- 51 FUSELI'S RETORTS. 1:48:42
- 52 FUSELI'S SUGGESTION OF AN EMBLEM OF ETERNITY 1:50:51
- 53 FUSELI'S REPORT IN MR. COUTTS' BANKING HOUSE. 1:51:39
- 54 FUSELI'S GENERAL SARCASMS ON LANDSCAPE AND PORTRAIT PAINTERS. 1:52:45
- 55 FUSELI'S OPINION OF HIS OWN ATTAINMENT OF HAPPINESS. 1:53:29
- 56 FUSELI'S PRIVATE HABITS. 1:54:10
- 57 FUSELI'S WIFE'S METHOD OF CURING HIS FITS OF DESPONDENCY. 1:55:08
- 58 FUSELI'S PERSONAL APPEARANCE, HIS SARCASTIC DISPOSITION, AND QUICK TEMPER. 1:56:55
- 59 FUSELI'S NEAR SIGHT. 1:58:43
- 60 FUSELI'S POPULARITY. 1:59:12
- 61 FUSELI'S ARTISTIC MERITS. 1:59:47
- 62 FUSELI'S MILTON GALLERY, THE CHARACTER OF HIS WORKS, AND THE PERMANENCY OF HIS FAME. 2:01:26
- 63 SALVATOR ROSA. 2:03:09
- 64 SALVATOR ROSA AND CAV. LANFRANCO. 2:03:45
- 65 SALVATOR ROSA AT ROME AND FLORENCE. 2:04:42
- 66 SALVATOR ROSA'S RETURN TO ROME. 2:05:55
- 67 SALVATOR ROSA'S SUBJECTS. 2:07:07
- 68 FLAGELLATION OF SALVATOR ROSA. 2:09:36
- 69 SALVATOR ROSA AND THE HIGGLING PRINCE. 2:11:14
- 70 SALVATOR ROSA'S OPINION OF HIS OWN WORKS. 2:13:03
- 71 SALVATOR ROSA'S BANDITTI. 2:13:31
- 72 SALVATOR ROSA AND MASSANIELLO. 2:15:36
- 73 SALVATOR ROSA AND CARDINAL SFORZA. 2:16:18
- 74 SALVATOR ROSA'S MANIFESTO CONCERNING HIS SATIRICAL PICTURE LA FORTUNA. 2:17:28
- 75 SALVATOR ROSA'S BANISHMENT FROM ROME. 2:19:11
- 76 SALVATOR ROSA'S WIT. 2:20:09
- 77 SALVATOR ROSA'S RECEPTION AT FLORENCE. 2:20:53
- 78 HISTRIONIC POWERS OF SALVATOR ROSA. 2:21:26
- 79 SALVATOR ROSA'S RECEPTION AT THE PALAZZO PITTI. 2:22:33
- 80 SATIRES OF SALVATOR ROSA. 2:23:19
- 81 SALVATOR ROSA'S HARPSICHORD. 2:24:09
- 82 RARE PORTRAIT BY SALVATOR ROSA. 2:24:57
- 83 SALVATOR ROSA'S RETURN TO ROME. 2:27:55
- 84 SALVATOR ROSA'S LOVE OF MAGNIFICENCE. 2:28:58
- 85 SALVATOR ROSA'S LAST WORKS. 2:31:35
- 86 SALVATOR ROSA'S DESIRE TO BE CONSIDERED AN HISTORICAL PAINTER. 2:32:02
- 87 DON MARIO GHIGI, HIS PHYSICIAN, AND SALVATOR ROSA. 2:33:52
- 88 DEATH OF SALVATOR ROSA. 2:36:39
- 89 DOMENICHINO. 2:44:36
- 90 THE DULLNESS OF DOMENICHINO IN YOUTH. 2:45:18
- 91 DOMENICHINO'S SCOURGING OF ST. ANDREW. 2:48:05
- 92 THE COMMUNION OF ST. JEROME. 2:49:19
- 93 DOMENICHINO'S ENEMIES AT ROME. 2:50:17
- 94 DECISION OF POSTERITY ON THE MERITS OF DOMENICHINO. 2:52:05
- 95 PROOF OF THE MERITS OF DOMENICHINO. 2:52:52
- 96 DOMENICHINO'S CARICATURES. 2:53:17
- 97 INTRIGUES OF THE NEAPOLITAN TRIUMVIRATE OF PAINTERS. 2:54:44
- 98 GIUSEPPE RIBERA, CALLED IL SPAGNOLETTO—HIS EARLY POVERTY AND INDUSTRY. 3:01:18
- 99 RIBERA'S MARRIAGE. 3:02:41
- 100 RIBERA'S RISE TO EMINENCE. 3:03:44
- 101 RIBERA'S DISCOVERY OF THE PHILOSOPHER'S STONE. 3:04:38
- 102 RIBERA'S SUBJECTS. 3:05:53
- 103 RIBERA'S DISPOSITION. 3:06:21
- 104 SINGULAR PICTORIAL ILLUSIONS. 3:07:13
- 105 RAFFAELLE'S SKILL IN PORTRAITS. 3:08:44
- 106 JACOPO DA PONTE. 3:09:09
- 107 GIOVANNI ROSA. 3:09:44
- 108 CAV. GIOVANNI CONTARINI. 3:10:07
- 109 GUERCINO'S POWER OF RELIEF. 3:10:31
- 110 BERNAZZANO. 3:11:15
- 111 INVENTION OF OIL PAINTING. 3:12:00
- 112 FORESHORTENING. 3:17:39
- 113 METHOD OF TRANSFERRING PAINTINGS FROM WALLS AND PANELS TO CANVASS. 3:18:57
- 114 WORKS IN SCAGLIOLA. 3:20:58
- 115 THE GOLDEN AGE OF PAINTING. 3:23:30
- 116 GOLDEN AGE OF THE FINE ARTS IN ANCIENT ROME. 3:27:20
- 117 NERO'S GOLDEN PALACE. 3:31:44
- 118 NAMES OF ANCIENT ARCHITECTS DESIGNATED BY REPTILES. 3:33:14
- 119 TRIUMPHAL ARCHES. 3:34:12
- 120 STATUE OF POMPEY THE GREAT. 3:36:45
- 121 OF ANTIQUE SCULPTURES IN ROME. 3:37:50
- 122 ANCIENT MAP OF ROME. 3:38:29
- 123 JULIAN THE APOSTATE. 3:39:09
- 124 THE TOMB OF MAUSOLUS. 3:39:49
- 125 MANDROCLES' BRIDGE ACROSS THE BOSPHORUS. 3:41:10
- 126 THE COLOSSUS OF THE SUN AT RHODES. 3:42:11
- 127 STATUES AND PAINTINGS AT RHODES. 3:43:48
- 128 SOSTRATUS' LIGHT-HOUSE ON THE ISLE OF PHAROS. 3:44:16
- 129 DINOCRATES' PLAN FOR CUTTING MOUNT ATHOS INTO A STATUE OF ALEXANDER THE GREAT. 3:45:46
- 130 POPE'S IDEA OF FORMING MOUNT ATHOS INTO A STATUE OF ALEXANDER THE GREAT. 3:47:32
- 131 TEMPLE WITH AN IRON STATUE SUSPENDED IN THE AIR BY LOADSTONE. 3:49:42
- 132 THE TEMPLE OF JUPITER OLYMPIUS AT ATHENS. 3:50:18
- 133 THE PARTHENON AT ATHENS. 3:52:44
- 134 THE ELGIN MARBLES. 3:54:53
- 135 ODEON, OR ODEUM. 4:08:34
- 136 PERPETUAL LAMPS. 4:09:28
- 137 THE SKULL OF RAFFAELLE. 4:10:21
- 138 THE FOUR FINEST PICTURES IN ROME. 4:10:52
- 139 THE FOUR CARLOS OF THE 17TH CENTURY. 4:11:11
- 140 PIETRO GALLETTI AND THE BOLOGNESE STUDENTS. 4:11:33
- 141 ÆTION'S PICTURE OF THE NUPTIALS OF ALEXANDER AND ROXANA. 4:12:04
- 142 AGELADAS. 4:12:36
- 143 THE PORTICOS OF AGAPTOS. 4:13:05
- 144 THE GROUP OF NIOBE AND HER CHILDREN. 4:13:27
- 145 STATUE OF THE FIGHTING GLADIATOR. 4:15:21
- 146 THE GROUP OF LAOCOÖN IN THE VATICAN. 4:15:46
- 147 MICHAEL ANGELO'S OPINION OF THE LAOCOÖN. 4:19:38
- 148 DISCOVERY OF THE LAOCOÖN. 4:20:07
- 149 SIR JOHN SOANE. 4:21:03
- 150 SOANE'S LIBERALITY AND PUBLIC MUNIFICENCE. 4:23:17
- 151 THE BELZONI SARCOPHAGUS. 4:25:45
- 152 TASSO'S "GERUSALEMME LIBERATA." 4:27:23
- 153 GEORGE MORLAND. 4:29:13
- 154 MORLAND'S EARLY TALENT. 4:31:01
- 155 MORLAND'S EARLY FAME. 4:31:46
- 156 MORLAND'S MENTAL AND MORAL EDUCATION, UNDER AN UNNATURAL PARENT. 4:33:08
- 157 MORLAND'S ESCAPE FROM THE THRALDOM OF HIS FATHER. 4:35:22
- 158 MORLAND'S MARRIAGE, AND TEMPORARY REFORM. 4:36:35
- 159 MORLAND'S SOCIAL POSITION. 4:38:08
- 160 AN UNPLEASANT DILEMMA. 4:39:07
- 161 MORLAND AT THE ISLE OF WIGHT. 4:40:20
- 162 A NOVEL MODE OF FULFILLING COMMISSIONS. 4:41:13
- 163 HASSELL'S FIRST INTERVIEW WITH MORLAND. 4:41:55
- 164 MORLAND'S DRAWINGS IN THE ISLE OF WIGHT. 4:42:50
- 165 MORLAND'S FREAKS. 4:43:36
- 166 A JOKE ON MORLAND. 4:44:21
- 167 MORLAND'S APPREHENSION AS A SPY. 4:45:24
- 168 MORLAND'S "SIGN OF THE BLACK BULL." 4:46:04
- 169 MORLAND AND THE PAWNBROKER. 4:47:39
- 170 MORLAND'S IDEA OF A BARONETCY. 4:48:46
- 171 MORLAND'S ARTISTIC MERIT. 4:49:13
- 172 CHARLES JERVAS. 4:51:22
- 173 JERVAS THE INSTRUCTOR OF POPE. 4:52:02
- 174 JERVAS AND DR. ARBUTHNOT. 4:53:13
- 175 JERVAS' VANITY. 4:53:42
- 176 HOLBEIN AND THE FLY. 4:54:47
- 177 HOLBEIN'S VISIT TO ENGLAND. 4:55:22
- 178 HENRY VIII.'S OPINION OF HOLBEIN. 4:56:09
- 179 HOLBEIN'S PORTRAIT OF THE DUCHESS DOWAGER OF MILAN. 4:57:43
- 180 HOLBEIN'S FLATTERY IN PORTRAITS—A WARNING TO PAINTERS. 4:58:33
- 181 HOLBEIN'S PORTRAIT OF CRATZER. 4:59:15
- 182 HOLBEIN'S PORTRAITS OF SIR THOMAS MORE AND FAMILY. 4:59:56
- 183 SIR JOHN VANBRUGH AND HIS CRITICS. 5:01:18
- 184 ANECDOTE OF THE ENGLISH PAINTER JAMES SEYMOUR. 5:04:11
- 185 PRECOCITY OF LUCA GIORDANO. 5:05:45
- 186 GIORDANO'S ENTHUSIASM. 5:06:52
- 187 LUCA FA PRESTO. 5:07:42
- 188 GIORDANO'S SKILL IN COPYING. 5:08:40
- 189 GIORDANO'S SUCCESS AT NAPLES. 5:09:16
- 190 GIORDANO, THE VICEROY, AND THE DUKE OF DIANO. 5:10:30
- 191 GIORDANO INVITED TO FLORENCE. 5:12:23
- 192 GIORDANO AND CARLO DOLCI. 5:12:52
- 193 GIORDANO'S VISIT TO SPAIN. 5:13:26
- 194 GIORDANO'S WORKS IN SPAIN. 5:15:28
- 195 GIORDANO AT THE ESCURIAL. 5:16:30
- 196 GIORDANO'S HABITS IN SPAIN. 5:17:21
- 197 GIORDANO'S FIRST PICTURES PAINTED AT MADRID. 5:18:32
- 198 GIORDANO A FAVORITE AT COURT. 5:19:24
- 199 GIORDANO'S RETURN TO NAPLES. 5:22:48
- 200 GIORDANO'S PERSONAL APPEARANCE AND CHARACTER. 5:24:02
- 201 GIORDANO'S RICHES. 5:25:08
- 202 GIORDANO'S WONDERFUL FACILITY OF HAND. 5:25:44
- 203 GIORDANO'S POWERS OF IMITATION. 5:27:21
- 204 GIORDANO'S FAME AND REPUTATION. 5:28:07
- 205 REMARKABLE INSTANCE OF GIORDANO'S RAPIDITY OF EXECUTION. 5:30:32
- 206 REVIVAL OF PAINTING IN ITALY. 5:32:51
- 207 GIOVANNI CIMABUE. 5:42:59
- 208 CIMABUE'S PASSION FOR ART. 5:44:42
- 209 CIMABUE'S FAMOUS PICTURE OF THE VIRGIN. 5:45:59
- 210 THE WORKS OF CIMABUE. 5:47:47
- 211 DEATH OF CIMABUE. 5:49:59
- 212 GIOTTO. 5:50:42
- 213 GIOTTO'S ST. FRANCIS STIGMATA 5:54:03
- 214 GIOTTO'S INVITATION TO ROME. 5:55:02
- 215 GIOTTO'S LIVING MODEL. 5:57:39
- 216 GIOTTO AND THE KING OF NAPLES. 6:00:39
- 217 GIOTTO AND DANTE. 6:03:01
- 218 DEATH OF GIOTTO. 6:03:23
- 219 BUONAMICO BUFFALMACCO. 6:04:15
- 220 BUFFALMACCO AND HIS MASTER. 6:05:04
- 221 BUFFALMACCO AND THE NUNS OF THE CONVENT OF FAENZA. 6:08:55
- 222 BUFFALMACCO AND THE NUNS' WINE. 6:11:35
- 223 BUFFALMACCO, BISHOP GUIDO, AND HIS MONKEY. 6:12:58
- 224 BUFFALMACCO'S TRICK ON THE BISHOP OF AREZZO. 6:17:52
- 225 ORIGIN OF LABEL PAINTING. 6:20:10
- 226 UTILITY OF ANCIENT WORKS. 6:22:45
- 227 BUFFALMACCO AND THE COUNTRYMAN. 6:24:30
- 228 BUFFALMACCO AND THE PEOPLE OF PERUGIA. 6:26:37
- 229 BUFFALMACCO'S NOVEL METHOD OF ENFORCING PAYMENT. 6:28:22
- 230 STEFANO FIORENTINO. 6:29:36
- 231 GIOTTINO. 6:30:41
- 232 PAOLO UCCELLO. 6:31:23
- 233 UCCELLO'S ENTHUSIASM. 6:32:58
- 234 UCCELLO AND THE MONKS OF SAN MINIATO. 6:34:25
- 235 UCCELLO'S FIVE PORTRAITS. 6:36:01
- 236 UCCELLO'S INCREDULITY OF ST. THOMAS. 6:37:00
- 237 THE ITALIAN SCHOOLS OF PAINTING. 6:38:40
- 238 CLAUDE JOSEPH VERNET. 6:41:50
- 239 VERNET'S PRECOCITY. 6:42:37
- 240 VERNET'S ENTHUSIASM. 6:43:21
- 241 VERNET AT ROME. 6:47:05
- 242 VERNET'S "ALPHABET OF TONES." 6:48:10
- 243 VERNET AND THE CONNOISSEUR. 6:49:46
- 244 VERNET'S WORKS. 6:50:48
- 245 VERNET'S PASSION FOR MUSIC 6:56:40
- 246 VERNET'S OPINION OF HIS OWN MERITS. 6:59:00
- 247 CURIOUS LETTER OF VERNET. 6:59:54
- 248 CHARLES VERNET. 7:02:25
- 249 ANECDOTE OF CHARLES VERNET. 7:03:30
- 250 M. DE LASSON'S CARICATURE. 7:04:10
- 251 FRANK HALS AND VANDYKE. 7:04:59
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- Narrator
- Howard — Erudite New England Antiquarian (en-US)
- Length
- 7 hr 6 min
- Added
- October 6, 2026