The cover page is adapted from Uncle Toby and Widow Wadman, a painting completed in 1848 by Charles Robert Leslie. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Charles_Robert_Lesliewww.theleagueofmoveabletype.com/
The Life and Opinions of Tristram Shandy, Gentleman
章节(322)
- Introduction 0:00
- Epigraph: To the Right Honourable Mr. Pitt 55:35
- Book I: I 56:52
- II 59:15
- III 1:02:04
- IV 1:03:34
- V 1:08:49
- VI 1:10:55
- VII 1:12:45
- VIII 1:17:36
- IX 1:21:37
- X 1:25:26
- XI 1:39:43
- XII 1:49:14
- XIII 1:59:41
- XIV 2:02:55
- XV 2:06:00
- XVI 2:15:32
- XVII 2:19:24
- XVIII 2:20:55
- XIX 2:34:19
- XX 2:48:35
- XXI 3:00:09
- XXII 3:17:12
- XXIII 3:21:48
- XXIV 3:28:12
- XXV 3:31:12
- Book II: I 3:34:27
- II 3:40:26
- III 3:48:13
- IV 3:54:01
- V 3:58:23
- VI 4:12:05
- VII 4:16:12
- VIII 4:20:27
- IX 4:23:27
- X 4:28:03
- XI 4:31:16
- XII 4:34:23
- XIII 4:46:58
- XIV 4:47:15
- XV 4:52:49
- XVI 4:56:10
- XVII 4:57:01
- XVIII 5:47:44
- XIX 5:50:31
- Book III 6:11:07
- I 6:11:33
- II 6:14:05
- III 6:16:45
- IV 6:18:04
- V 6:21:10
- VI 6:23:02
- VII 6:24:39
- VIII 6:27:13
- IX 6:30:04
- X 6:31:21
- XI: Excommunicatio 6:37:38
- XI 6:43:45
- XII 6:53:25
- XIII 7:00:32
- XIV 7:02:30
- XV 7:04:45
- XVI 7:06:23
- XVII 7:07:53
- XVIII 7:09:18
- XIX 7:14:59
- XX 7:16:11
- The Author’s Preface 7:17:46
- XXI 7:41:04
- XXII 7:42:57
- XXIII 7:48:16
- XXIV 7:51:55
- XXV 8:00:50
- XXVI 8:04:48
- XXVII 8:05:55
- XXVIII 8:06:32
- XXIX 8:08:07
- XXX 8:10:38
- XXXI 8:11:52
- XXXII 8:15:44
- XXXIII 8:16:55
- XXXIV 8:21:03
- XXXV 8:27:31
- XXXVI 8:29:35
- XXXVII 8:31:36
- XXXVIII 8:34:33
- XXXIX 8:46:12
- XL 8:49:15
- XLI 8:51:47
- XLII 8:57:54
- Book IV: Slawkenbergii Fabella 9:00:43
- Slawkenbergius’s Tale 9:08:11
- I 9:58:08
- II 10:01:49
- III 10:03:26
- IV 10:04:17
- V 10:07:58
- VI 10:08:08
- VII 10:09:34
- VIII 10:12:24
- IX 10:14:37
- X 10:17:19
- XI 10:20:17
- XII 10:20:52
- XIII 10:23:18
- XIV 10:27:13
- XV 10:31:03
- XVI 10:35:16
- XVII 10:37:19
- XVIII 10:40:35
- XIX 10:43:54
- XX 10:49:40
- XXI 10:52:00
- XXII 10:54:57
- XXIII 10:56:46
- XXV 10:58:07
- XXVI 11:05:32
- XXVII 11:08:52
- XXVIII 11:24:19
- XXIX 11:27:21
- XXX 11:36:59
- XXXI 11:38:07
- XXXII 11:48:28
- Book V 11:53:34
- To the Right Honourable John, Lord Viscount Spencer 11:54:07
- I 11:54:59
- II 12:08:23
- III 12:13:13
- IV 12:27:08
- V 12:27:43
- VI 12:28:46
- VII 12:32:37
- VIII 12:40:02
- IX 12:41:14
- X 12:43:42
- XI 12:48:59
- XII 12:50:45
- XIII 12:54:18
- XIV 12:56:22
- XV 12:57:00
- XVI 13:00:01
- XVII 13:08:12
- XVIII 13:09:37
- XIX 13:10:40
- XX 13:12:54
- XXI 13:14:36
- XXII 13:17:55
- XXIII 13:19:00
- XXIV 13:19:46
- XXV 13:21:04
- XXVI 13:21:30
- XXVII 13:23:56
- XXVIII 13:26:05
- XXIX 13:30:09
- XXX 13:33:07
- XXXI 13:34:57
- XXXII 13:38:58
- XXXIII 13:42:33
- XXXIV 13:45:11
- XXXV 13:46:45
- XXXVI 13:48:55
- XXXVII 13:50:25
- XXXVIII 13:52:44
- XXXIX 13:55:26
- XL 13:56:45
- XLI 14:00:01
- XLII 14:00:26
- XLIII 14:05:16
- Book VI: I 14:08:36
- II 14:09:58
- III 14:14:10
- IV 14:16:28
- V 14:16:48
- VI: The Story of Le Fever 14:21:52
- VII: The Story of Le Fever Continued 14:28:07
- VIII: The Story of Le Fever Continued 14:39:09
- IX 14:43:16
- X: The Story of Le Fever Continued 14:43:31
- XI 14:46:09
- XII 14:53:34
- XIII 14:56:50
- XIV 14:59:00
- XV 15:01:01
- XVI 15:01:12
- XVII 15:02:49
- XVIII 15:07:05
- XIX 15:11:09
- XX 15:15:42
- XXI 15:16:51
- XXII 15:20:46
- XXIII 15:25:15
- XXIV 15:29:37
- XXV 15:33:37
- XXVI 15:36:41
- XXVII 15:39:19
- XXVIII 15:41:04
- XXIX 15:42:08
- XXX 15:44:39
- XXXI 15:46:16
- XXXII: My Uncle Toby’s Apologetical Oration 15:49:41
- XXXIII 15:56:11
- XXXIV 15:58:07
- XXXV 16:02:39
- XXXVI 16:04:28
- XXXVII 16:08:20
- XXXVIII 16:10:00
- XXXIX 16:10:43
- XL 16:13:04
- Book VII: I 16:15:42
- II 16:20:05
- III 16:22:29
- IV 16:23:12
- V 16:25:53
- VI 16:31:48
- VII 16:32:37
- VIII 16:35:14
- IX 16:38:30
- X 16:42:01
- XI 16:42:22
- XII 16:42:34
- XIII 16:44:12
- XIV 16:46:51
- XV 16:49:27
- XVI 16:50:28
- XVII 16:54:58
- XVIII 16:58:15
- XIX 17:02:23
- XX 17:04:58
- XXI 17:07:09
- XXII 17:15:45
- XXIII 17:16:20
- XXIV 17:17:31
- XXV 17:19:23
- XXVI 17:21:13
- XXVII 17:23:27
- XXVIII 17:32:47
- XXIX 17:34:08
- XXX 17:38:33
- XXXI 17:42:13
- XXXII 17:46:04
- XXXIII 17:51:52
- XXXIV 17:52:51
- XXXV 17:56:03
- XXXVI 17:58:14
- XXXVII 17:59:53
- XXXVIII 18:01:31
- XXXIX 18:04:03
- XL 18:05:51
- XLI 18:06:53
- XLII 18:09:45
- XLIII 18:11:49
- Book VIII: I 18:20:02
- II 18:21:49
- III 18:23:51
- IV 18:25:52
- V 18:27:01
- VI 18:29:21
- VII 18:32:52
- VIII 18:33:20
- IX 18:35:28
- X 18:39:26
- XI 18:40:34
- XII 18:43:19
- XIII 18:43:32
- XIV 18:45:10
- XV 18:46:34
- XVI 18:48:21
- XVII 18:53:38
- XVIII 18:55:32
- XIX 18:57:17
- XX 19:23:23
- XXI 19:29:38
- XXII 19:30:44
- XXIII 19:34:52
- XXIV 19:37:02
- XXV 19:39:23
- XXVI 19:41:41
- XXVII 19:45:40
- XXVIII 19:46:23
- XXIX 19:50:20
- XXX 19:50:33
- XXXI 19:51:44
- XXXII 19:54:06
- XXXIII 19:56:11
- XXXIV 20:01:22
- XXXV 20:11:53
- Book IX 20:13:14
- A Dedication to a Great Man 20:13:36
- I 20:15:54
- II 20:20:06
- III 20:23:36
- IV 20:24:51
- V 20:26:48
- VI 20:29:29
- VII 20:32:25
- VIII 20:35:55
- IX 20:39:19
- X 20:39:28
- XI 20:42:09
- XII 20:45:25
- XIII 20:48:42
- XIV 20:52:02
- XV 20:54:26
- XVI 20:54:58
- XVII 20:56:27
- XVIII: XIX: XX 20:58:16
- XXI 21:00:19
- XXII 21:02:28
- XXIII 21:05:08
- XXIV 21:06:42
- XXV 21:15:43
- The Eighteenth Chapter 21:17:27
- Chapter the Nineteenth 21:21:38
- XXVI 21:23:39
- XXVII 21:28:56
- XXVIII 21:29:04
- XXIX 21:31:23
- XXX 21:33:09
- XXXI 21:34:33
- XXXII 21:38:24
- XXXIII 21:40:56
The Life and Opinions of Tristram Shandy, Gentleman, a fictional autobiography of the eponymous narrator, contains—perhaps surprisingly—little about either his life or opinions, but what it does have is a meandering journey through the adventures of his close family and their associates. The book is famous for being more about the explanatory diversions and rabbit-holes that the narrator takes us down than the actual happenings he set out to describe, but in doing so he paints a vivid picture of the players and their personal stories.
Published two volumes at a time over the course of eight years, Tristram Shandy was an immediate commercial success although not without some confusion among critics. Sterne’s exploration of form that pushed at the contemporary limits of what could be called a novel has been hugely influential, garnering admirers as varied as Marx, Schopenhauer, Joyce, Woolf and Rushdie. The book has been translated into many other languages and adapted for the stage, radio, and film.