The cover page is adapted from Moonlight in the Bay of Douarnenez, a painting completed in 1901 by Maxime Maufra. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Maxime_Maufrawww.theleagueofmoveabletype.com/
The Lost Continent
章节(21)
- Prefatory 0:00
- I: My Recall 22:31
- II: Back to Atlantis 49:10
- III: A Rival Navy 1:12:53
- IV: The Welcome of Phorenice 1:32:52
- V: Zaemon’s Curse 2:00:40
- VI: The Biters of the City Walls 2:38:49
- VII: The Biters of the Walls (Further Account) 3:13:41
- VIII: The Preacher from the Mountains 3:38:54
- IX: Phorenice, Goddess 4:06:54
- X: A Wooing 4:33:22
- XI: An Affair with the Barbarous Fishers 5:07:15
- XII: The Drug of Our Lady the Moon 5:40:44
- XIII: The Burying Alive of Nais 6:19:21
- XIV: Again the Gods Make Change 6:50:05
- XV: Zaemon’s Summons 7:24:55
- XVI: Siege of the Sacred Mountain 7:46:12
- XVII: Nais the Regained 8:24:14
- XVIII: Storm of the Sacred Mountain 8:57:59
- XIX: Destruction of Atlantis 9:31:13
- XX: On the Bosom of the Deep 9:57:52
The Lost Continent, initially published as a serial in 1899, remains one of the enduring classics of the “lost race” genre. In it we follow Deucalion, a warrior-priest on the lost continent of Atlantis, as he tries to battle the influence of an egotistical upstart empress. Featuring magic, intrigue, mythical monsters, and fearsome combat on both land and sea, the story is nothing if not a swashbuckling adventure.
The Lost Continent was very influential on pulp fiction of the subsequent decades, and echoes of its style can be found in the work of Edgar Rice Burroughs, Robert E. Howard, and others.