The cover page is adapted from Thomas Oldaker on Pickle with His Hounds, a painting completed in 1886 by Benjamin Marshall. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Benjamin_Marshall_(painter)www.theleagueofmoveabletype.com/
Memoirs of a Foxhunting Man
Capitula (11)
- Prefatory Note 0:00
- I: Early Days 0:46
- II: The Flower Show Match 1:24:53
- III: A Fresh Start 2:14:25
- IV: A Day with the Potford 3:33:08
- V: At the Rectory 4:06:03
- VI: The Colonel’s Cup 5:03:13
- VII: Denis Milden as Master 6:10:27
- VIII: Migration to the Midlands 7:08:12
- IX: In the Army 7:48:39
- X: At the Front 8:46:06
Quomodo audiendum → Problema cum hac recitatione? Animadversionem mitte →
By the 1920s, Siegfried Sassoon had built a reputation as a poet and man of letters, though he had not yet published prose. It wasn’t until the end of the decade that he finally made the attempt with Memoirs of a Foxhunting Man, the first volume of his fictionalized autobiography—and he was so nervous about the prospect of publishing prose that he published it anonymously.
George Sherston, the semi-autobiographical stand-in for Sassoon, is a young boy growing up in the English countryside under the gentle care of his aunt Evelyn. His youth is idyllic, and he spends many afternoons lazing in the verdant hedges and warm sunlight of Aunt Evelyn’s country home. But he soon becomes enamored with horses, racing, and hunting, and quickly finds himself a decidedly middle-class youth embedded in an aristocratic pastime.
The first half of the novel is presented as a series of cozy and often comical vignettes. But as Europe teeters at the brink of the Great War, and then finally enters it, the novel’s tone shifts from nostalgic reminiscence to the stark brutality of one of the world’s bloodiest conflicts. George’s—and thus Sassoon’s—very English way of life was now changed forever.
Memoirs of a Foxhunting Man became an instant bestseller and sealed Sassoon’s growing reputation as one of England’s most important literary men of the war generation. It received several awards and was followed up by two sequels which completed Sassoon’s “autobiography.”