The cover page is adapted from Back to the Farm, a painting completed in 1908 by N. C. Wyeth. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/N._C._Wyethwww.theleagueofmoveabletype.com/
The Adventures of Huckleberry Finn
Capitula (45)
- Notice 0:00
- Explanatory 0:19
- I 1:04
- II 9:15
- III 23:07
- IV 33:03
- V 40:49
- VI 50:24
- VII 1:06:48
- VIII 1:21:28
- IX 1:47:14
- X 1:56:25
- XI 2:04:12
- XII 2:20:40
- XIII 2:37:03
- XIV 2:49:14
- XV 2:58:46
- XVI 3:12:50
- XVII 3:32:56
- XVIII 3:53:12
- XIX 4:20:52
- XX 4:41:09
- XXI 5:01:52
- XXII 5:24:21
- XXIII 5:37:11
- XXIV 5:50:40
- XXV 6:04:18
- XXVI 6:21:43
- XXVII 6:38:44
- XXVIII 6:54:11
- XXIX 7:16:04
- XXX 7:38:12
- XXXI 7:45:29
- XXXII 8:07:02
- XXXIII 8:21:21
- XXXIV 8:37:55
- XXXV 8:51:00
- XXXVI 9:06:29
- XXXVII 9:18:54
- XXXVIII 9:34:05
- XXXIX 9:48:58
- XL 10:01:10
- XLI 10:14:38
- XLII 10:31:23
- Chapter the Last 10:50:09
Quomodo audiendum → Problema cum hac recitatione? Animadversionem mitte →
One of the great American novels, The Adventures of Huckleberry Finn tells the story of Huck Finn and his travels with Jim, an escaped slave. Roundly criticised by contemporary reviewers for its colorful and literal language and even banned by several libraries, it sealed its historical importance in part by being one of the first novels to be written entirely in American vernacular.
While Huck Finn is, on its face, an adventure tale for younger readers, it’s also a cutting satire and a nuanced examination of racism and morality. Hemingway called it “the best book we’ve had.”