The cover page is adapted from The Raft of the Medusa, a painting completed in 1819 by Théodore Géricault. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Théodore_Géricaultwww.theleagueofmoveabletype.com/
The Survivors of the Chancellor
Capitula (57)
- I 0:00
- II 3:42
- III 7:48
- IV 10:37
- V 21:16
- VI 27:02
- VII 32:21
- VIII 39:44
- IX 44:29
- X 50:20
- XI 56:02
- XII 1:01:56
- XIII 1:10:28
- XIV 1:19:13
- XV 1:24:30
- XVI 1:29:32
- XVII 1:40:48
- XVIII 1:46:34
- XIX 1:56:42
- XX 2:01:22
- XXI 2:09:19
- XXII 2:15:50
- XXIII 2:20:33
- XXIV 2:24:47
- XXV 2:29:55
- XXVI 2:35:54
- XXVII 2:44:06
- XXVIII 2:49:04
- XXIX 2:52:55
- XXX 2:56:57
- XXXI 3:00:04
- XXXII 3:05:53
- XXXIII 3:13:51
- XXXIV 3:20:51
- XXXV 3:27:37
- XXXVI 3:34:00
- XXXVII 3:37:20
- XXXVIII 3:44:49
- XXXIX 3:53:46
- XL 4:01:20
- XLI 4:05:57
- XLII 4:12:43
- XLIII 4:18:56
- XLIV 4:29:10
- XLV 4:37:27
- XLVI 4:42:31
- XLVII 4:50:18
- XLVIII 4:56:00
- XLIX 4:59:37
- L 5:03:32
- LI 5:05:51
- LII 5:11:08
- LIII 5:18:49
- LIV 5:23:29
- LV 5:28:35
- LVI 5:33:52
- LVII 5:36:02
Quomodo audiendum → Problema cum hac recitatione? Animadversionem mitte →
Desiring a more romantic crossing of the Atlantic, Englishman J. R. Kazallon decides to forgo a steamship and instead sets sail on the Chancellor, a large three-mast sailing ship. What follows is a classic nautical adventure, told in the form of a series of diary entries and filled with tragedy, suffering, and even horror. Despite the grim subject matter, Jules Verne still finds space to include ample descriptions of geology, biology, and meteorology.