The cover page is adapted from Peace: Burial at Sea, a painting completed in 1842 by J. M. W. Turner. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/J._M._W._Turnerwww.theleagueofmoveabletype.com/
The Rover
Capitula (18)
- Epigraph 0:00
- Dedication 0:13
- I 0:23
- II 18:22
- III 43:44
- IV 1:11:49
- V 1:37:16
- VI 2:03:31
- VII 2:28:07
- VIII 3:11:44
- IX 3:48:53
- X 4:23:17
- XI 5:02:47
- XII 5:42:02
- XIII 6:08:15
- XIV 6:26:47
- XV 7:14:44
- XVI 8:21:29
Quomodo audiendum → Problema cum hac recitatione? Animadversionem mitte →
Having spent his life roving faraway seas, Peyrol returns to his birthplace on the French coast to retire on a small fortune acquired through piracy. Meanwhile, the historical events of the French Revolution and France’s war with England make Peyrol reconsider his withdrawal to undertake a patriotic mission.
The Rover, published in 1923, is the last novel Conrad completed before his death in 1924. The book is in part a retelling of the myth of Acis and Galatea, and was adapted into a film in 1967. The epigraph, taken from Spenser’s The Faerie Queene, subsequently became Conrad’s epitaph.