The cover page is adapted from Man Smoking a Pipe, a painting completed in 1859 by James McNeill Whistler. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/James_Abbott_McNeill_Whistlerwww.theleagueofmoveabletype.com/
Silas Marner
Capitula (23)
- Epigraph 0:00
- Part I: I 0:14
- II 28:04
- III 47:50
- IV 1:16:09
- V 1:33:22
- VI 1:45:40
- VII 2:10:41
- VIII 2:23:35
- IX 2:43:29
- X 2:59:54
- XI 3:36:51
- XII 4:24:52
- XIII 4:40:33
- XIV 4:59:08
- XV 5:31:16
- Part II: XVI 5:34:02
- XVII 6:11:18
- XVIII 6:37:13
- XIX 6:45:45
- XX 7:08:48
- XXI 7:14:13
- Conclusion 7:22:35
Quomodo audiendum → Problema cum hac recitatione? Animadversionem mitte →
In Silas Marner, author George Eliot (the pen name of Mary Ann Evans) introduces an embittered linen weaver who withdraws from society after a betrayal of trust. He retreats to work his loom or count and re-count his accumulated gold and silver. The abrupt theft of his money sends Marner into despair, which is interrupted just as suddenly by the appearance of an abandoned infant on his hearth. Marner adopts and raises the child, finding a new place among his community.
Silas Marner was well-received at the time of its release for its “fairy tale” charm, and has since gained appreciation for Eliot’s treatment of alienation, religious feeling and community. It has remained popular ever since its publication and has been adapted many times to stage and film.