The cover page is adapted from March Evening, a painting completed in 1900 by Nils Kreuger. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Nils_Kreugerwww.theleagueofmoveabletype.com/
Night and Day
Chapitres (35)
- Dedication 0:00
- I 0:09
- II 31:02
- III 58:41
- IV 1:23:31
- V 1:58:57
- VI 2:25:14
- VII 3:09:18
- VIII 3:26:41
- IX 3:41:48
- X 4:10:09
- XI 4:32:46
- XII 4:54:08
- XIII 5:26:31
- XIV 5:36:46
- XV 6:05:03
- XVI 6:37:23
- XVII 7:06:57
- XVIII 7:33:01
- XIX 8:38:24
- XX 8:53:46
- XXI 9:21:13
- XXII 9:49:31
- XXIII 10:17:52
- XXIV 10:45:25
- XXV 11:40:05
- XXVI 12:07:30
- XXVII 12:59:00
- XXVIII 13:41:52
- XXIX 14:17:39
- XXX 14:52:22
- XXXI 15:15:43
- XXXII 16:12:08
- XXXIII 17:06:07
- XXXIV 17:57:17
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Although known for her later experiments with style and structure, Virginia Woolf set out in her early novels to master the traditional form. Her second novel, Night and Day, presents itself as a seemingly conventional marriage plot, complete with love triangles, broken engagements, and unrequited affections. Beneath these conventional trappings, however, the book’s deeper concerns are resolutely subversive. The main characters—a quartet of friends and would-be lovers—come together, pull apart, and struggle to reconcile socially prescribed norms of love and marriage with their own beliefs and ambitions.