The cover page is adapted from Lake George, Free Study, a painting completed in 1872 by John Frederick Kensett. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/John_Frederick_Kensettwww.theleagueofmoveabletype.com/
An American Tragedy
Chapitres (100)
- Book I: I 0:00
- II 18:29
- III 35:41
- IV 58:01
- V 1:22:16
- VI 1:37:24
- VII 1:57:14
- VIII 2:15:06
- IX 2:23:43
- X 2:50:18
- XI 3:01:00
- XII 3:30:03
- XIII 3:46:02
- XIV 4:25:18
- XV 4:45:59
- XVI 5:10:13
- XVII 5:26:16
- XVIII 5:47:36
- XIX 6:09:13
- Book II: I 6:35:30
- II 6:54:40
- III 7:12:33
- IV 7:41:27
- V 8:01:42
- VI 8:35:58
- VII 8:52:35
- VIII 9:04:03
- IX 9:27:35
- X 9:59:31
- XI 10:16:05
- XII 10:44:08
- XIII 11:10:23
- XIV 11:26:35
- XV 11:41:47
- XVI 12:07:24
- XVII 12:30:22
- XVIII 12:43:24
- XIX 13:03:03
- XX 13:17:30
- XXI 13:34:53
- XXII 13:52:50
- XXIII 14:02:24
- XXIV 14:19:11
- XXV 14:39:06
- XXVI 15:01:27
- XXVII 15:16:22
- XXVIII 15:32:50
- XXIX 15:51:26
- XXX 16:17:10
- XXXI 16:27:50
- XXXII 16:50:20
- XXXIII 17:05:54
- XXXIV 17:27:33
- XXXV 17:42:48
- XXXVI 18:08:19
- XXXVII 18:25:00
- XXXVIII 19:03:14
- XXXIX 19:40:07
- XL 19:58:48
- XLI 20:10:53
- XLII 20:19:53
- XLIII 20:47:45
- XLIV 21:15:20
- XLV 21:47:35
- XLVI 22:15:17
- XLVII 22:34:43
- Book III: I 23:19:31
- II 23:27:24
- III 23:41:54
- IV 23:59:29
- V 24:27:36
- VI 24:49:39
- VII 25:08:51
- VIII 25:37:25
- IX 26:13:43
- X 26:44:17
- XI 27:02:26
- XII 27:13:27
- XIII 27:38:20
- XIV 27:50:47
- XV 28:15:19
- XVI 28:39:10
- XVII 28:57:20
- XVIII 29:28:10
- XIX 29:42:31
- XX 30:10:20
- XXI 30:40:32
- XXII 30:59:01
- XXIII 31:24:12
- XXIV 31:50:51
- XXV 33:06:03
- XXVI 34:26:48
- XXVII 34:50:06
- XXVIII 35:10:04
- XXIX 35:41:43
- XXX 35:58:30
- XXXI 36:27:53
- XXXII 36:53:32
- XXXIII 37:20:09
- XXXIV 37:49:12
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Clyde Griffith’s parents are poor street-preachers, but Clyde doesn’t “believe,” and finds their work demeaning. At fifteen he gets a job and starts to ease out of their lives, eventually landing in some trouble that causes him to flee the town where they live. Two years later, Clyde meets his well-off uncle, who owns a large factory in upstate New York. Clyde talks his way into a job at the factory, and soon finds himself supervising a roomful of women. All alone, generally shunned by his uncle’s family, and starved for companionship, he breaks the factory’s rules and begins a relationship with a young woman who works for him. But Clyde has visions of marrying a high-society woman, and fortune smiles on him in the form of the daughter of one of his uncle’s neighbors. Soon Clyde finds himself in a love triangle of his own making, and one from which he seems incapable of extracting himself.
A newspaperman before he became a novelist, Theodore Dreiser collected crime stories for years of young men in relationships with young women of poorer means, where the young men found a richer, prettier girl who would go with him, and often took extreme measures to escape from the first girl. An American Tragedy, based on one of the most infamous of those real-life stories, is a study in lazy ambition, the very real class system in America, and how easy it is to drift into evil. It is populated with poor people who desire nothing more than to be rich, rich people whose only concern is to keep up with their neighbors and not be associated with the “wrong element,” and elements of both who care far more about appearances than reality. It offers further evidence that the world may be very different from 100 years ago, but the people in it are very much the same.