The cover page is adapted from Bharat Mata, a painting completed in 1905 by Abanindranath Tagore. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Abanindranath_Tagorewww.theleagueofmoveabletype.com/
Gitanjali
Chapitres (104)
- Introduction 0:00
- I 14:49
- II 15:35
- III 16:19
- IV 17:02
- V 17:41
- VI 18:26
- VII 18:57
- VIII 19:31
- IX 20:07
- X 20:37
- XI 21:18
- XII 22:21
- XIII 23:19
- XIV 24:11
- XV 25:09
- XVI 25:44
- XVII 26:12
- XVIII 27:00
- XIX 27:40
- XX 28:17
- XXI 29:01
- XXII 29:42
- XXIII 30:29
- XXIV 31:08
- XXV 31:49
- XXVI 32:16
- XXVII 32:48
- XXVIII 34:00
- XXIX 34:41
- XXX 35:13
- XXXI 35:46
- XXXII 36:45
- XXXIII 37:19
- XXXIV 37:54
- XXXV 38:33
- XXXVI 39:15
- XXXVII 39:49
- XXXVIII 40:20
- XXXIX 41:05
- XL 41:52
- XLI 42:41
- XLII 44:48
- XLIII 45:38
- XLIV 46:28
- XLV 47:13
- XLVI 48:12
- XLVII 48:53
- XLVIII 50:08
- XLIX 52:12
- L 52:49
- LI 54:02
- LII 56:09
- LIII 58:25
- LIV 59:20
- LV 1:00:50
- LVI 1:01:41
- LVII 1:02:28
- LVIII 1:03:29
- LIX 1:04:12
- LX 1:04:46
- LXI 1:06:20
- LXII 1:07:33
- LXIII 1:08:34
- LXIV 1:09:30
- LXV 1:11:12
- LXVI 1:11:50
- LXVII 1:12:53
- LXVIII 1:13:48
- LXIX 1:14:38
- LXX 1:15:19
- LXXI 1:15:58
- LXXII 1:17:12
- LXXIII 1:18:00
- LXXIV 1:18:47
- LXXV 1:19:27
- LXXVI 1:20:04
- LXXVII 1:20:50
- LXXVIII 1:21:42
- LXXIX 1:22:43
- LXXX 1:24:04
- LXXXI 1:24:59
- LXXXII 1:25:33
- LXXXIII 1:26:22
- LXXXIV 1:26:55
- LXXXV 1:27:35
- LXXXVI 1:28:14
- LXXXVII 1:29:03
- LXXXVIII 1:29:58
- LXXXIX 1:31:07
- XC 1:32:00
- XCI 1:32:33
- XCII 1:33:21
- XCIII 1:34:16
- XCIV 1:34:48
- XCV 1:35:29
- XCVI 1:36:21
- XCVII 1:37:03
- XCVIII 1:37:49
- XCIX 1:38:42
- C 1:39:32
- CI 1:40:16
- CII 1:40:56
- CIII 1:41:41
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Widely regarded as one of the most important figures in Indian (and more specifically Bengali) literary history, Rabindranath Tagore was the first Indian—indeed, the first person outside Europe—to win the Nobel Prize in Literature, largely in recognition of his “spiritual offering of songs,” Gitanjali.
Tagore himself translated the poems from the original Bengali, taking many liberties in the process. His English translation is rightly recognized as a work distinct from the Bengali original, consisting of major revisions, many elisions, and many poems originally published in other collections.
Tagore’s lyrical simplicity, vivid imagery, and themes of nature, spirituality, death, and transcendence combine to produce a truly unique, powerfully moving work of thoughtful beauty. For many who read it, Tagore’s words in Song XCVI ring true: “What I have seen is unsurpassable. I have tasted of the hidden honey of this lotus that expands on the ocean of light, and thus I am blessed.”