The cover page is adapted from Don Quixote and the Dead Mule, a painting completed circa 1864 by Honoré Daumier. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Honor%C3%A9_Daumierwww.theleagueofmoveabletype.com/
Don Quixote
Chapitres (132)
- Translator’s Preface 0:00
- Part I: Dedication 1:45:20
- Preface 1:46:52
- Some Commendatory Verses 2:03:28
- I 2:15:04
- II 2:27:52
- III 2:42:36
- IV 2:58:01
- V 3:14:00
- VI 3:24:39
- VII 3:42:15
- VIII 3:54:39
- IX 4:14:19
- X 4:27:37
- XI 4:40:44
- XII 4:55:28
- XIII 5:10:37
- XIV 5:34:31
- XV 5:55:36
- XVI 6:14:21
- XVII 6:33:18
- XVIII 6:54:21
- XIX 7:21:12
- XX 7:39:47
- XXI 8:14:35
- XXII 8:44:02
- XXIII 9:11:01
- XXIV 9:40:34
- XXV 10:03:02
- XXVI 10:46:17
- XXVII 11:05:48
- XXVIII 11:49:03
- XXIX 12:27:09
- XXX 12:57:30
- XXXI 13:24:13
- XXXII 13:48:02
- XXXIII 14:04:45
- XXXIV 14:56:21
- XXXV 15:47:15
- XXXVI 16:09:17
- XXXVII 16:34:27
- XXXVIII 17:01:24
- XXXIX 17:11:36
- XL 17:31:56
- XLI 18:01:59
- XLII 18:51:38
- XLIII 19:09:34
- XLIV 19:34:43
- XLV 19:56:09
- XLVI 20:15:50
- XLVII 20:37:46
- XLVIII 21:02:59
- XLIX 21:22:43
- L 21:40:50
- LI 21:57:53
- LII 22:11:25
- Part II: Dedication 22:38:39
- Preface 22:41:31
- I 22:50:56
- II 23:19:02
- III 23:31:03
- IV 23:50:17
- V 24:03:04
- VI 24:19:42
- VII 24:33:55
- VIII 24:51:44
- IX 25:10:38
- X 25:19:58
- XI 25:42:30
- XII 25:58:33
- XIII 26:14:57
- XIV 26:30:18
- XV 26:58:28
- XVI 27:03:47
- XVII 27:28:25
- XVIII 27:55:10
- XIX 28:16:01
- XX 28:34:25
- XXI 28:55:32
- XXII 29:12:11
- XXIII 29:31:40
- XXIV 29:58:41
- XXV 30:14:17
- XXVI 30:37:49
- XXVII 30:58:37
- XXVIII 31:15:03
- XXIX 31:28:03
- XXX 31:43:17
- XXXI 31:55:13
- XXXII 32:15:48
- XXXIII 32:51:47
- XXXIV 33:09:30
- XXXV 33:27:37
- XXXVI 33:46:00
- XXXVII 34:00:23
- XXXVIII 34:05:19
- XXXIX 34:21:41
- XL 34:28:38
- XLI 34:42:53
- XLII 35:08:57
- XLIII 35:22:03
- XLIV 35:36:59
- XLV 35:59:58
- XLVI 36:17:29
- XLVII 36:27:06
- XLVIII 36:47:49
- XLIX 37:08:36
- L 37:36:20
- LI 37:58:23
- LII 38:18:44
- LIII 38:36:21
- LIV 38:50:48
- LV 39:10:41
- LVI 39:28:49
- LVII 39:41:14
- LVIII 39:49:49
- LIX 40:19:12
- LX 40:39:12
- LXI 41:10:43
- LXII 41:17:33
- LXIII 41:47:25
- LXIV 42:11:10
- LXV 42:22:26
- LXVI 42:36:01
- LXVII 42:48:51
- LXVIII 43:01:53
- LXIX 43:14:36
- LXX 43:28:19
- LXXI 43:46:25
- LXXII 44:01:02
- LXXIII 44:13:03
- LXXIV 44:24:42
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Don Quixote is a novel that doesn’t need much introduction. Not only is it widely considered the greatest Spanish literary work of all time, one of the greatest literary works in history, and a cornerstone of the Western literary canon, it’s also considered one of the first—if not the first—modern novels.
This Standard Ebooks edition is believed to be the first ebook edition of Don Quixote to feature a full transcription of translator John Ormsby’s nearly 1,000 footnotes. Ormsby as an annotator deftly explains obscure passages, gives background on the life and times of 1600s Spain, references decisions from other contemporary translators, and doesn’t hold back from sharing his views on the genius—and flaws—of Cervantes’ greatest work.
The story is of the eponymous Don Quixote, a country noble who, in his old age, reads too many chivalric romances and goes mad. After convincing his grubby servant, Sancho Panza, to join him as his squire, he embarks on an absurd and comic quest to do good and right wrongs.
Today Don Quixote’s two volumes are published as a single work, but their publication came ten years apart. Cervantes saw great success with the publication of his first volume, and appeared to have little desire to write a second volume until a different author wrote a spurious, inferior sequel. This kicked Cervantes into gear and he wrote volume two, a more serious and philosophical volume than the largely comic first volume.
Despite being written in 1605 and translated in 1885, Don Quixote contains a surprising amount of slapstick laughs—even for the modern reader—and narrative devices still seen in today’s fiction, including meta-narratives, frame narratives, and metafiction. Many scenes (like Quixote’s attack on the windmills) and characters (like Sancho Panza and Lothario) are so famous that they’re ingrained in our collective culture.