The cover page is adapted from Still Life in Gray, a painting completed in 1927 by Serge Charchoune. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Serge_Charchounewww.theleagueofmoveabletype.com/
Black No More
Chapitres (15)
- Dedication 0:00
- Preface 0:18
- I 3:29
- II 33:51
- III 58:33
- IV 1:22:48
- V 1:53:00
- VI 2:38:01
- VII 3:01:50
- VIII 3:20:39
- IX 3:42:50
- X 4:04:36
- XI 4:29:33
- XII 4:49:32
- XIII 5:08:10
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After Dr. Junius Crookman invents the “Black-No-More” process to make black people look white through a process of “electrical nutrition and glandular control,” the United States of America is swept into social upheaval. Black Americans flock to Dr. Crookman’s hospitals, wishing to escape the confines of racial stigma and segregation, while white supremacist organizations scheme to uphold the existing socioeconomic order. One of the first patients to receive Dr. Crookman’s treatment is Max Disher, a black insurance agent who pines after a haughty white woman from Atlanta who rejects his request for a dance on account of his race.
A picaresque novel, Black No More follows the misadventures of Max Disher and the ways in which he takes advantage of his new appearance in an unstable political climate. A biting satire of both white supremacist and black civil rights organizations, it has been identified as one of the first works of Afrofuturism, an aesthetic movement which explores the cultures of the African diaspora in relation to advances in science and technology.