The cover page is adapted from Charing Cross Bridge, London, a painting completed in 1890 by Camille Pissarro. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Camille_Pissarrowww.theleagueofmoveabletype.com/
Phineas Redux
Chapitres (80)
- I: Temptation 0:00
- II: Harrington Hall 28:27
- III: Gerard Maule 53:48
- IV: Tankerville 1:04:55
- V: Mr. Daubeny’s Great Move 1:19:51
- VI: Phineas and His Old Friends 1:48:15
- VII: Coming Home from Hunting 2:09:58
- VIII: The Address 2:26:48
- IX: The Debate 2:43:31
- X: The Deserted Husband 2:54:45
- XI: The Truant Wife 3:21:40
- XII: Königstein 3:38:23
- XIII: “I Have Got the Seat” 4:05:51
- XIV: Trumpeton Wood 4:25:53
- XV: “How Well You Knew!” 4:43:53
- XVI: Copperhouse Cross and Broughton Spinnies 4:55:22
- XVII: Madame Goesler’s Story 5:25:43
- XVIII: Spooner of Spoon Hall 5:38:51
- XIX: Something Out of the Way 5:58:00
- XX: Phineas Again in London 6:18:40
- XXI: Mr. Maule, Senior 6:44:58
- XXII: “Purity of Morals, Finn” 7:11:03
- XXIII: Macpherson’s Hotel 7:31:33
- XXIV: Madame Goesler Is Sent For 7:51:56
- XXV: “I Would Do It Now” 8:04:37
- XXVI: The Duke’s Will 8:25:17
- XXVII: An Editor’s Wrath 8:38:55
- XXVIII: The First Thunderbolt 8:57:56
- XXIX: The Spooner Correspondence 9:25:40
- XXX: Regrets 9:45:44
- XXXI: The Duke and Duchess in Town 10:06:02
- XXXII: The World Becomes Cold 10:18:31
- XXXIII: The Two Gladiators 10:45:06
- XXXIV: The Universe 11:13:58
- XXXV: Political Venom 11:35:26
- XXXVI: Seventy-Two 11:50:57
- XXXVII: The Conspiracy 12:06:17
- XXXVIII: Once Again in Portman Square 12:33:55
- XXXIX: Cagliostro 12:50:59
- XL: The Prime Minister Is Hard Pressed 13:07:54
- XLI: “I Hope I’m Not Distrusted” 13:29:47
- XLII: Boulogne 13:46:01
- XLIII: The Second Thunderbolt 14:09:54
- XLIV: The Browborough Trial 14:25:05
- XLV: Some Passages in the Life of Mr. Emilius 14:49:42
- XLVI: The Quarrel 15:09:56
- XLVII: What Came of the Quarrel 15:33:00
- XLVIII: Mr. Maule’s Attempt 15:51:25
- XLIX: Showing What Mrs. Bunce Said to the Policeman 16:10:24
- L: What the Lords and Commons Said About the Murder 16:30:42
- LI: “You Think It Shameful” 16:43:57
- LII: Mr. Kennedy’s Will 17:04:15
- LIII: None but the Brave Deserve the Fair 17:29:17
- LIV: The Duchess Takes Counsel 17:55:29
- LV: Phineas in Prison 18:15:22
- LVI: The Meager Family 18:37:13
- LVII: The Beginning of the Search for the Key and the Coat 18:48:26
- LVIII: The Two Dukes 19:04:51
- LIX: Mrs. Bonteen 19:22:50
- LX: Two Days Before the Trial 19:43:15
- LXI: The Beginning of the Trial 20:10:56
- LXII: Lord Fawn’s Evidence 20:33:50
- LXIII: Mr. Chaffanbrass for the Defence 20:53:55
- LXIV: Confusion in the Court 21:14:15
- LXV: “I Hate Her!” 21:31:36
- LXVI: The Foreign Bludgeon 21:44:52
- LXVII: The Verdict 21:58:05
- LXVIII: Phineas After the Trial 22:31:36
- LXIX: The Duke’s First Cousin 22:51:40
- LXX: “I Will Not Go to Loughlinter” 23:17:00
- LXXI: Phineas Finn Is Reelected 23:44:48
- LXXII: The End of the Story of Mr. Emilius and Lady Eustace 24:00:01
- LXXIII: Phineas Finn Returns to His Duties 24:12:26
- LXXIV: At Matching 24:28:50
- LXXV: The Trumpeton Feud Is Settled 24:51:43
- LXXVI: Madame Goesler’s Legacy 25:05:43
- LXXVII: Phineas Finn’s Success 25:31:43
- LXXVIII: The Last Visit to Saulsby 25:58:44
- LXXIX: At Last—At Last 26:21:16
- LXXX: Conclusion 26:36:56
Comment écouter → Un problème avec cette narration ? Dites-le-nous →
At the end of Phineas Finn, the second of Anthony Trollope’s Palliser series, Phineas has abandoned his parliamentary career, accepted a sinecure in the civil service in Dublin, and married his Irish sweetheart. As Phineas Redux begins, he is a widower and tired of Dublin life.
Fortunately for him, his friends in London believe he might be enticed back to take a role as a member of Parliament in the face of the latest political crisis. Phineas answers the call—but all does not turn out as planned. His friends welcome him back, but even this involves serious social complications. And, it transpires, even the likable Phineas Finn has political enemies who wish to spoil his return to public life. Along the way, Phineas continues to deepen his understanding of both personal and public politics.
As in The Eustace Diamonds, Trollope weaves high drama into his plot, but refuses to keep secrets from his readers. Far from having a dampening effect on the tension, the focus of Trollope’s art directs his readers’ attention to the psychological conflicts that arise.
At this point in the series, something of Trollope’s own political disappointments begin to cast a shadow over the maneuvers and machinations of both local and parliamentary politics. There is still a nobility about public service, though, of which Trollope never loses sight, and which will play a larger role as the series moves towards its conclusion.