The cover page is adapted from The Defense of Paris, a painting completed in 1871 by Jean-Louis Ernest Meissonier. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Ernest_Meissonierwww.theleagueofmoveabletype.com/

Les Misérables

Capítulos (414)
  1. Preface 0:00
  2. Volume I: Fantine: Book I: A Just Man 1:00
  3. I: M. Myriel 1:08
  4. II: M. Myriel Becomes M. Welcome 8:16
  5. III: A Hard Bishopric for a Good Bishop 19:14
  6. IV: Works Corresponding to Words 24:11
  7. V: Monseigneur Bienvenu Made His Cassocks Last Too Long 43:49
  8. VI: Who Guarded His House for Him 50:49
  9. VII: Cravatte 1:05:00
  10. VIII: Philosophy After Drinking 1:13:46
  11. IX: The Brother as Depicted by the Sister 1:24:52
  12. X: The Bishop in the Presence of an Unknown Light 1:34:27
  13. XI: A Restriction 2:06:22
  14. XII: The Solitude of Monseigneur Welcome 2:17:34
  15. XIII: What He Believed 2:25:47
  16. XIV: What He Thought 2:36:39
  17. Book II: The Fall 2:43:45
  18. I: The Evening of a Day of Walking 2:43:51
  19. II: Prudence Counselled to Wisdom 3:11:49
  20. III: The Heroism of Passive Obedience 3:21:46
  21. IV: Details Concerning the Cheese-Dairies of Pontarlier 3:35:31
  22. V: Tranquillity 3:44:08
  23. VI: Jean Valjean 3:47:27
  24. VII: The Interior of Despair 4:01:33
  25. VIII: Billows and Shadows 4:21:57
  26. IX: New Troubles 4:27:52
  27. X: The Man Aroused 4:30:51
  28. XI: What He Does 4:38:13
  29. XII: The Bishop Works 4:47:45
  30. XIII: Little Gervais 4:55:45
  31. Book III: In the Year 1817 5:17:51
  32. I: The Year 1817 5:17:59
  33. II: A Double Quartet 5:34:08
  34. III: Four and Four 5:45:10
  35. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty 5:55:35
  36. V: At Bombarda’s 6:01:52
  37. VI: A Chapter in Which They Adore Each Other 6:08:30
  38. VII: The Wisdom of Tholomyès 6:12:08
  39. VIII: The Death of a Horse 6:27:59
  40. IX: A Merry End to Mirth 6:33:57
  41. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power 6:40:29
  42. I: One Mother Meets Another Mother 6:40:41
  43. II: First Sketch of Two Unprepossessing Figures 7:03:25
  44. III: The Lark 7:09:01
  45. Book V: The Descent 7:15:39
  46. I: The History of a Progress in Black Glass Trinkets 7:15:45
  47. II: Madeleine 7:19:26
  48. III: Sums Deposited with Laffitte 7:28:21
  49. IV: M. Madeleine in Mourning 7:35:55
  50. V: Vague Flashes on the Horizon 7:41:59
  51. VI: Father Fauchelevent 7:56:30
  52. VII: Fauchelevent Becomes a Gardener in Paris 8:03:30
  53. VIII: Madame Victurnien Expends Thirty Francs on Morality 8:06:28
  54. IX: Madame Victurnien’s Success 8:13:33
  55. X: Result of the Success 8:19:53
  56. XI: Christus Nos Liberavit 8:32:11
  57. XII: M. Bamatabois’s Inactivity 8:34:40
  58. XIII: The Solution of Some Questions Connected with the Municipal Police 8:41:18
  59. Book VI: Javert 9:07:07
  60. I: The Beginning of Repose 9:07:12
  61. II: How Jean May Become Champ 9:15:28
  62. Book VII: The Champmathieu Affair 9:38:13
  63. I: Sister Simplice 9:38:21
  64. II: The Perspicacity of Master Scaufflaire 9:45:47
  65. III: A Tempest in a Skull 9:56:23
  66. IV: Forms Assumed by Suffering During Sleep 10:49:06
  67. V: Hindrances 10:56:43
  68. VI: Sister Simplice Put to the Proof 11:23:13
  69. VII: The Traveller on His Arrival Takes Precautions for Departure 11:39:59
  70. VIII: An Entrance by Favor 11:50:44
  71. IX: A Place Where Convictions Are in Process of Formation 11:58:47
  72. X: The System of Denials 12:17:40
  73. XI: Champmathieu More and More Astonished 12:36:21
  74. Book VIII: A Counterblow 12:47:12
  75. I: In What Mirror M. Madeleine Contemplates His Hair 12:47:19
  76. II: Fantine Happy 12:53:38
  77. III: Javert Satisfied 13:03:28
  78. IV: Authority Reasserts Its Rights 13:12:49
  79. V: A Suitable Tomb 13:22:32
  80. Volume II: Cosette: Book I: Waterloo 13:36:14
  81. I: What Is Met with on the Way from Nivelles 13:36:21
  82. II: Hougomont 13:40:43
  83. III: The Eighteenth of June, 1815 13:58:41
  84. IV: A 14:04:57
  85. V: The Quid Obscurum of Battles 14:10:00
  86. VI: Four O’Clock in the Afternoon 14:17:49
  87. VII: Napoleon in a Good Humor 14:24:55
  88. VIII: The Emperor Puts a Question to the Guide Lacoste 14:39:03
  89. IX: The Unexpected 14:45:38
  90. X: The Plateau of Mont-Saint-Jean 14:55:24
  91. XI: A Bad Guide to Napoleon; A Good Guide to Bülow 15:08:01
  92. XII: The Guard 15:11:42
  93. XIII: The Catastrophe 15:15:54
  94. XIV: The Last Square 15:22:37
  95. XV: Cambronne 15:25:41
  96. XVI: Quot Libras in Duce? 15:31:57
  97. XVII: Is Waterloo to Be Considered Good? 15:45:35
  98. XVIII: A Recrudescence of Divine Right 15:50:19
  99. XIX: The Battlefield at Night 15:57:28
  100. Book II: The Ship Orion 16:13:23
  101. I: Number 24,601 Becomes Number 9,430 16:13:31
  102. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly 16:20:50
  103. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer 16:32:39
  104. Book III: Accomplishment of the Promise Made to the Dead Woman 16:53:29
  105. I: The Water Question at Montfermeil 16:53:40
  106. II: Two Complete Portraits 17:02:15
  107. III: Men Must Have Wine, and Horses Must Have Water 17:16:15
  108. IV: Entrance on the Scene of a Doll 17:21:32
  109. V: The Little One All Alone 17:25:04
  110. VI: Which Possibly Proves Boulatruelle’s Intelligence 17:39:27
  111. VII: Cosette Side by Side with the Stranger in the Dark 17:51:35
  112. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man 17:57:25
  113. IX: Thénardier and His Manouvres 18:39:37
  114. X: He Who Seeks to Better Himself May Render His Situation Worse 18:58:25
  115. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery 19:10:17
  116. Book IV: The Gorbeau Hovel 19:13:49
  117. I: Master Gorbeau 19:13:57
  118. II: A Nest for Owl and a Warbler 19:30:17
  119. III: Two Misfortunes Make One Piece of Good Fortune 19:34:05
  120. IV: The Remarks of the Principal Tenant 19:44:19
  121. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult 19:49:26
  122. Book V: For a Black Hunt, a Mute Pack 19:57:44
  123. I: The Zigzags of Strategy 19:57:52
  124. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages 20:06:55
  125. III: To Wit, the Plan of Paris in 1727 20:10:51
  126. IV: The Gropings of Flight 20:18:53
  127. V: Which Would Be Impossible with Gas Lanterns 20:25:04
  128. VI: The Beginning of an Enigma 20:34:03
  129. VII: Continuation of the Enigma 20:39:59
  130. VIII: The Enigma Becomes Doubly Mysterious 20:44:51
  131. IX: The Man with the Bell 20:49:18
  132. X: Which Explains How Javert Got on the Scent 20:58:13
  133. Book VI: Le Petit-Picpus 21:20:22
  134. I: Number 62 Rue Petit-Picpus 21:20:30
  135. II: The Obedience of Martin Verga 21:29:54
  136. III: Austerities 21:47:38
  137. IV: Gayeties 21:51:43
  138. V: Distractions 21:59:53
  139. VI: The Little Convent 22:13:32
  140. VII: Some Silhouettes of This Darkness 22:19:49
  141. VIII: Post Corda Lapides 22:25:45
  142. IX: A Century Under a Guimpe 22:29:53
  143. X: Origin of the Perpetual Adoration 22:34:55
  144. XI: End of the Petit-Picpus 22:39:06
  145. Book VII: Parenthesis 22:43:54
  146. I: The Convent as an Abstract Idea 22:44:00
  147. II: The Convent as an Historical Fact 22:45:23
  148. III: On What Conditions One Can Respect the Past 22:53:36
  149. IV: The Convent from the Point of View of Principles 22:59:58
  150. V: Prayer 23:03:53
  151. VI: The Absolute Goodness of Prayer 23:07:12
  152. VII: Precautions to Be Observed in Blame 23:12:49
  153. VIII: Faith, Law 23:14:43
  154. Book VIII: Cemeteries Take That Which Is Committed Them 23:20:17
  155. I: Which Treats of the Manner of Entering a Convent 23:20:27
  156. II: Fauchelevent in the Presence of a Difficulty 23:40:04
  157. III: Mother Innocente 23:45:31
  158. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo 24:09:00
  159. V: It Is Not Necessary to Be Drunk in Order to Be Immortal 24:22:27
  160. VI: Between Four Planks 24:36:57
  161. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card 24:40:57
  162. VIII: A Successful Interrogatory 24:58:14
  163. IX: Cloistered 25:05:53
  164. Volume III: Marius: Book I: Paris Studied in Its Atom 25:23:56
  165. I: Parvulus 25:24:06
  166. II: Some of His Particular Characteristics 25:25:52
  167. III: He Is Agreeable 25:29:23
  168. IV: He May Be of Use 25:32:28
  169. V: His Frontiers 25:34:25
  170. VI: A Bit of History 25:41:01
  171. VII: The Gamin Should Have His Place in the Classifications of India 25:46:09
  172. VIII: In Which the Reader Will Find a Charming Saying of the Last King 25:51:13
  173. IX: The Old Soul of Gaul 25:55:06
  174. X: Ecce Paris, Ecce Homo 25:57:15
  175. XI: To Scoff, to Reign 26:05:26
  176. XII: The Future Latent in the People 26:12:04
  177. XIII: Little Gavroche 26:14:52
  178. Book II: The Great Bourgeois 26:20:45
  179. I: Ninety Years and Thirty-Two Teeth 26:20:52
  180. II: Like Master, Like House 26:25:48
  181. III: Luc-Esprit 26:28:39
  182. IV: A Centenarian Aspirant 26:31:11
  183. V: Basque and Nicolette 26:33:21
  184. VI: In Which Magnon and Her Two Children Are Seen 26:36:45
  185. VII: Rule: Receive No One Except in the Evening 26:41:47
  186. VIII: Two Do Not Make a Pair 26:43:14
  187. Book III: The Grandfather and the Grandson 26:48:59
  188. I: An Ancient Salon 26:49:08
  189. II: One of the Red Spectres of That Epoch 26:57:58
  190. III: Requiescant 27:15:13
  191. IV: End of the Brigand 27:36:13
  192. V: The Utility of Going to Mass, in Order to Become a Revolutionist 27:44:41
  193. VI: The Consequences of Having Met a Warden 27:48:53
  194. VII: Some Petticoat 28:06:36
  195. VIII: Marble Against Granite 28:18:08
  196. Book IV: The Friends of the A.B.C. 28:31:17
  197. I: A Group Which Barely Missed Becoming Historic 28:31:25
  198. II: Blondeau’s Funeral Oration by Bossuet 29:08:59
  199. III: Marius’ Astonishments 29:18:13
  200. IV: The Back Room of the Café Musain 29:23:32
  201. V: Enlargement of Horizon 29:43:29
  202. VI: Res Angusta 29:53:30
  203. Book V: The Excellence of Misfortune 29:59:22
  204. I: Marius Indigent 29:59:30
  205. II: Marius Poor 30:05:26
  206. III: Marius Grown Up 30:13:42
  207. IV: M. Mabeuf 30:27:06
  208. V: Poverty a Good Neighbor for Misery 30:38:36
  209. VI: The Substitute 30:44:27
  210. Book VI: The Conjunction of Two Stars 30:56:49
  211. I: The Sobriquet: Mode of Formation of Family Names 30:56:57
  212. II: Lux Facta Est 31:04:59
  213. III: Effect of the Spring 31:10:55
  214. IV: Beginning of a Great Malady 31:13:51
  215. V: Divers Claps of Thunder Fall on Ma’am Bougon 31:20:48
  216. VI: Taken Prisoner 31:23:45
  217. VII: Adventures of the Letter U Delivered Over to Conjectures 31:30:31
  218. VIII: The Veterans Themselves Can Be Happy 31:35:20
  219. IX: Eclipse 31:39:42
  220. Book VII: Patron Minette 31:44:52
  221. I: Mines and Miners 31:44:58
  222. II: The Lowest Depths 31:51:40
  223. III: Babet, Gueulemer, Claquesous, and Montparnasse 31:56:30
  224. IV: Composition of the Troupe 32:03:00
  225. Book VIII: The Wicked Poor Man 32:10:15
  226. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap 32:10:22
  227. II: Treasure Trove 32:15:27
  228. III: Quadrifrons 32:19:43
  229. IV: A Rose in Misery 32:30:03
  230. V: A Providential Peephole 32:46:54
  231. VI: The Wild Man in His Lair 32:53:33
  232. VII: Strategy and Tactics 33:04:20
  233. VIII: The Ray of Light in the Hovel 33:12:25
  234. IX: Jondrette Comes Near Weeping 33:17:57
  235. X: Tariff of Licensed Cabs: Two Francs an Hour 33:27:37
  236. XI: Offers of Service from Misery to Wretchedness 33:36:02
  237. XII: The Use Made of M. Leblanc’s Five-Franc Piece 33:42:32
  238. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster 33:54:16
  239. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer 34:00:47
  240. XV: Jondrette Makes His Purchases 34:09:10
  241. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832 34:14:52
  242. XVII: The Use Made of Marius’ Five-Franc Piece 34:22:43
  243. XVIII: Marius’ Two Chairs Form a Vis-a-Vis 34:32:03
  244. XIX: Occupying One’s Self with Obscure Depths 34:35:47
  245. XX: The Trap 34:46:37
  246. XXI: One Should Always Begin by Arresting the Victims 35:48:16
  247. XXII: The Little One Who Was Crying in Volume Two 35:56:38
  248. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis: Book I: A Few Pages of History 36:00:52
  249. I: Well Cut 36:01:06
  250. II: Badly Sewed 36:15:59
  251. III: Louis Philippe 36:24:25
  252. IV: Cracks Beneath the Foundation 36:44:02
  253. V: Facts Whence History Springs and Which History Ignores 37:02:54
  254. VI: Enjolras and His Lieutenants 37:30:37
  255. Book II: Éponine 37:40:52
  256. I: The Lark’s Meadow 37:40:57
  257. II: Embryonic Formation of Crimes in the Incubation of Prisons 37:56:13
  258. III: Apparition to Father Mabeuf 38:07:44
  259. IV: An Apparition to Marius 38:17:40
  260. Book III: The House in the Rue Plumet 38:28:53
  261. I: The House with a Secret 38:29:01
  262. II: Jean Valjean as a National Guard 38:40:38
  263. III: Foliis Ac Frondibus 38:46:57
  264. IV: Change of Gate 38:57:46
  265. V: The Rose Perceives That It Is an Engine of War 39:10:29
  266. VI: The Battle Begun 39:22:19
  267. VII: To One Sadness Oppose a Sadness and a Half 39:31:02
  268. VIII: The Chain-Gang 39:45:14
  269. Book IV: Succor from Below May Turn Out to Be Succor from on High 40:11:23
  270. I: A Wound Without, Healing Within 40:11:35
  271. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon 40:17:39
  272. Book V: The End of Which Does Not Resemble the Beginning 40:38:26
  273. I: Solitude and the Barracks Combined 40:38:37
  274. II: Cosette’s Apprehensions 40:43:05
  275. III: Enriched with Commentaries by Toussaint 40:51:09
  276. IV: A Heart Beneath a Stone 40:58:21
  277. V: Cosette After the Letter 41:07:46
  278. VI: Old People Are Made to Go Out Opportunely 41:14:39
  279. Book VI: Little Gavroche 41:23:13
  280. I: The Malicious Playfulness of the Wind 41:23:20
  281. II: In Which Little Gavroche Extracts Profit from Napoleon the Great 41:32:25
  282. III: The Vicissitudes of Flight 42:26:37
  283. Book VII: Slang 42:59:17
  284. I: Origin 42:59:22
  285. II: Roots 43:20:05
  286. III: Slang Which Weeps and Slang Which Laughs 43:43:48
  287. IV: The Two Duties: To Watch and to Hope 43:55:40
  288. Book VIII: Enchantments and Desolations 44:07:01
  289. I: Full Light 44:07:11
  290. II: The Bewilderment of Perfect Happiness 44:22:36
  291. III: The Beginning of Shadow 44:28:14
  292. IV: A Cab Runs in English and Barks in Slang 44:36:20
  293. V: Things of the Night 44:52:55
  294. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address 44:54:57
  295. VII: The Old Heart and the Young Heart in the Presence of Each Other 45:09:35
  296. Book IX: Whither Are They Going? 45:41:14
  297. I: Jean Valjean 45:41:22
  298. II: Marius 45:45:29
  299. III: M. Mabeuf 45:51:33
  300. Book X: The 5th of June, 1832 46:01:33
  301. I: The Surface of the Question 46:01:43
  302. II: The Root of the Matter 46:11:10
  303. III: A Burial; An Occasion to Be Born Again 46:28:08
  304. IV: The Ebullitions of Former Days 46:42:49
  305. V: Originality of Paris 46:56:09
  306. Book XI: The Atom Fraternizes with the Hurricane 47:03:32
  307. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry 47:03:42
  308. II: Gavroche on the March 47:09:16
  309. III: Just Indignation of a Hairdresser 47:17:23
  310. IV: The Child Is Amazed at the Old Man 47:21:24
  311. V: The Old Man 47:25:43
  312. VI: Recruits 47:29:24
  313. Book XII: Corinthe 47:32:47
  314. I: History of Corinthe from Its Foundation 47:32:54
  315. II: Preliminary Gayeties 47:46:30
  316. III: Night Begins to Descend Upon Grantaire 48:11:37
  317. IV: An Attempt to Console the Widow Hucheloup 48:19:49
  318. V: Preparations 48:29:08
  319. VI: Waiting 48:34:12
  320. VII: The Man Recruited in the Rue des Billettes 48:40:36
  321. VIII: Many Interrogation Points with Regard to a Certain le Cabuc 48:49:14
  322. Book XIII: Marius Enters the Shadow 49:00:11
  323. I: From the Rue Plumet to the Quartier Saint-Denis 49:00:20
  324. II: An Owl’s View of Paris 49:07:35
  325. III: The Extreme Edge 49:14:54
  326. Book XIV: The Grandeurs of Despair 49:32:03
  327. I: The Flag: Act First 49:32:12
  328. II: The Flag: Act Second 49:38:42
  329. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine 49:45:11
  330. IV: The Barrel of Powder 49:47:56
  331. V: End of the Verses of Jean Prouvaire 49:54:06
  332. VI: The Agony of Death After the Agony of Life 49:58:25
  333. VII: Gavroche as a Profound Calculator of Distances 50:08:22
  334. Book XV: The Rue de l’Homme Armé 50:17:03
  335. I: A Drinker Is a Babbler 50:17:12
  336. II: The Street Urchin an Enemy of Light 50:40:36
  337. III: While Cosette and Toussaint Are Asleep 50:50:03
  338. IV: Gavroche’s Excess of Zeal 50:53:53
  339. Volume V: Jean Valjean: Book I: The War Between Four Walls 51:04:39
  340. I: The Charybdis of the Faubourg Saint Antoine and the Scylla 51:04:50
  341. II: What Is to Be Done in the Abyss if One Does Not Converse 51:25:16
  342. III: Light and Shadow 51:35:30
  343. IV: Minus Five, Plus One 51:39:46
  344. V: The Horizon Which One Beholds from the Summit of a Barricade 51:57:09
  345. VI: Marius Haggard, Javert Laconic 52:08:38
  346. VII: The Situation Becomes Aggravated 52:13:21
  347. VIII: The Artillerymen Compel People to Take Them Seriously 52:23:30
  348. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796 52:30:15
  349. X: Dawn 52:34:15
  350. XI: The Shot Which Misses Nothing and Kills No One 52:44:07
  351. XII: Disorder a Partisan of Order 52:47:04
  352. XIII: Passing Gleams 52:55:08
  353. XIV: Wherein Will Appear the Name of Enjolras’ Mistress 52:59:49
  354. XV: Gavroche Outside 53:05:02
  355. XVI: How from a Brother One Becomes a Father 53:11:42
  356. XVII: Mortuus Pater Filium Moriturum Expectat 53:34:21
  357. XVIII: The Vulture Become Prey 53:38:36
  358. XIX: Jean Valjean Takes His Revenge 53:47:27
  359. XX: The Dead Are in the Right and the Living Are Not in the Wrong 53:53:21
  360. XXI: The Heroes 54:18:58
  361. XXII: Foot to Foot 54:30:31
  362. XXIII: Orestes Fasting and Pylades Drunk 54:39:28
  363. XXIV: Prisoner 54:47:34
  364. Book II: The Intestine of the Leviathan 54:54:19
  365. I: The Land Impoverished by the Sea 54:54:27
  366. II: Ancient History of the Sewer 55:05:11
  367. III: Bruneseau 55:14:29
  368. IV 55:22:10
  369. V: Present Progress 55:32:02
  370. VI: Future Progress 55:35:27
  371. Book III: Mud but the Soul 55:48:30
  372. I: The Sewer and Its Surprises 55:48:38
  373. II: Explanation 56:05:08
  374. III: The “Spun” Man 56:10:42
  375. IV: He Also Bears His Cross 56:21:20
  376. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous 56:30:47
  377. VI: The Fontis 56:44:25
  378. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking 56:49:57
  379. VIII: The Torn Coattail 56:56:00
  380. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead 57:08:05
  381. X: Return of the Son Who Was Prodigal of His Life 57:18:51
  382. XI: Concussion in the Absolute 57:23:17
  383. XII: The Grandfather 57:27:30
  384. Book IV: Javert Derailed 57:42:45
  385. I 57:42:52
  386. Book V: Grandson and Grandfather 58:16:10
  387. I: In Which the Tree with the Zinc Plaster Appears Again 58:16:18
  388. II: Marius, Emerging from Civil War, Makes Ready for Domestic War 58:24:45
  389. III: Marius Attacked 58:36:53
  390. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm 58:44:50
  391. V: Deposit Your Money in a Forest Rather Than with a Notary 58:58:14
  392. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy 59:01:26
  393. VII: The Effects of Dreams Mingled with Happiness 59:24:29
  394. VIII: Two Men Impossible to Find 59:30:43
  395. Book VI: The Sleepless Night 59:41:32
  396. I: The 16th of February, 1833 59:41:40
  397. II: Jean Valjean Still Wears His Arm in a Sling 60:03:59
  398. III: The Inseparable 60:30:54
  399. IV: The Immortal Liver 60:37:01
  400. Book VII: The Last Draught from the Cup 60:49:41
  401. I: The Seventh Circle and the Eighth Heaven 60:49:48
  402. II: The Obscurities Which a Revelation Can Contain 61:37:24
  403. Book VIII: Fading Away of the Twilight 61:59:48
  404. I: The Lower Chamber 61:59:56
  405. II: Another Step Backwards 62:11:19
  406. III: They Recall the Garden of the Rue Plumet 62:18:14
  407. IV: Attraction and Extinction 62:29:21
  408. Book IX: Supreme Shadow, Supreme Dawn 62:33:53
  409. I: Pity for the Unhappy, but Indulgence for the Happy 62:34:05
  410. II: Last Flickerings of a Lamp Without Oil 62:39:43
  411. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart 62:43:47
  412. IV: A Bottle of Ink Which Only Succeeded in Whitening 62:50:52
  413. V: A Night Behind Which There Is Day 63:38:31
  414. VI: The Grass Covers and the Rain Effaces 64:05:35
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Les Misérables, by Victor Hugo has been described as one of literature’s greatest novels. The first two volumes were published in French in March 1862 and translated into English later the same year. Since then it has been translated by numerous others and has been adapted for film, television, radio, animation and the stage.

This epic novel tells the story of Jean Valjean, an ex-convict who is attempting to escape from his past. Newly released from the galley-ships, Jean Valjean steals the silverware from the bishop who has taken him in for the night. When he is captured, the bishop urges him to use the silver to become an honest citizen. Valjean becomes a wealthy man, owner of a factory and mayor of his town but his past is only a footstep away in the form of Javert, Inspector of Police, who recognises Valjean from his time as a guard.

A factory-worker, who has been dismissed from Valjean’s employment, is sentenced to six months imprisonment but ends up dying in the town’s hospital and Valjean feels responsible for the downward spiral of her life, so rescues her child, Cosette, from the corrupt inn-keepers with whom her mother had left her.

The rest of the novel tells the stories of Valjean, Cosette and other characters which intertwine with each other. Hugo also included a number of “digressions” on subjects including cloistered religious orders, the use of slang language and, most significantly, the battle of Waterloo.

The book was highly anticipated in 1862, having been advertised from as early as 1860. Hugo did not allow the publishers to summarise the story in advance, surely because any summary could not do a novel of this length any justice.

Narración
Qwen3-TTS Aiden
Duración
64 h 08 min
Idioma
English
Añadido
21 de septiembre de 2026
Libro electrónico original
Standard Ebooks
Licencia
Public domain