The cover page is adapted from The Poet, a painting completed in 1912 by Pablo Picasso. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Pablo_Picassowww.theleagueofmoveabletype.com/
Poetry
Capítulos (33)
- The Love Song of J. Alfred Prufrock 0:00
- Portrait of a Lady 9:07
- Preludes 16:54
- Rhapsody on a Windy Night 19:33
- Morning at the Window 22:56
- The Boston Evening Transcript 23:31
- Aunt Helen 24:08
- Cousin Nancy 24:54
- Mr. Apollinax 25:29
- Hysteria 26:46
- Conversation Galante 27:43
- La Figlia Che Piange 28:45
- Gerontion 30:08
- Burbank with a Baedeker: Bleistein with a Cigar 34:58
- Sweeney Erect 36:59
- A Cooking Egg 39:02
- Le Directeur 40:33
- Mélange Adultère de Tout 41:04
- Lune de Miel 41:58
- Ode 43:08
- The Hippopotamus 44:04
- Dans le Restaurant 46:16
- Whispers of Immortality 48:28
- Mr. Eliot’s Sunday Morning Service 49:54
- Sweeney Among the Nightingales 51:19
- The Waste Land 53:05
- The Hollow Men 1:17:07
- Journey of the Magi 1:20:42
- A Song for Simeon 1:23:31
- Animula 1:25:46
- Marina 1:28:21
- Ash-Wednesday 1:30:30
- Juvenilia 1:43:03
Cómo escuchar → ¿Problemas con esta narración? Avísanos →
Poetry of T. S. Eliot collects all of his early work through “The Hollow Men.” Poems like “The Love Song of J. Alfred Prufrock,” “Whispers of Immortality,” and “Gerontion” ponder aging and mortality, while “Sweeney Erect,” “Mr. Eliot’s Sunday Service,” and “Sweeney Among the Nightingales” sketch the temptations and agonies of the modern man in the character of Sweeney.
Woven throughout with allusions to works in six foreign languages and sporting over fifty footnotes by the author, “The Waste Land” is as notorious for its bleak picture of a post-war world as it is for its density and difficulty. “The Hollow Men” ends with one of the most famous stanzas in English poetry.
Eliot’s flashes of insight bring the everyday into stark relief. Whether suffering an insufferable bore, observing the lives of strangers on the streets, or juxtaposing the sacred and the profane, his sometimes autobiographical vignettes of modern life still feel current a century after they were penned.