The cover page is adapted from L’Eléphant pris au piège de Frémiet et la Tour Eiffel, a painting completed in 1922 by Jules Ernest Renoux. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Jules_Ernest_Renouxwww.theleagueofmoveabletype.com/
Dodsworth
Capítulos (37)
- Dedication 0:00
- I 0:04
- II 15:41
- III 39:36
- IV 1:01:09
- V 1:15:01
- VI 1:41:47
- VII 1:54:50
- VIII 2:12:31
- IX 2:31:59
- X 2:48:19
- XI 3:10:18
- XII 4:23:10
- XIII 4:53:17
- XIV 5:06:31
- XV 5:24:44
- XVI 6:01:42
- XVII 6:40:48
- XVIII 7:03:24
- XIX 7:32:05
- XX 8:13:34
- XXI 8:35:08
- XXII 9:00:41
- XXIII 9:39:55
- XXIV 10:26:50
- XXV 10:52:12
- XXVI 11:18:24
- XXVII 11:50:15
- XXVIII 12:11:29
- XXIX 12:31:52
- XXX 12:48:52
- XXXI 13:17:05
- XXXII 13:43:27
- XXXIII 14:03:45
- XXXIV 14:26:51
- XXXV 14:46:18
- XXXVI 15:00:12
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In the booming American Midwest of the 1920s, an innovative auto manufacturer decides to retire early at the age of fifty, having achieved the American Dream through his hard work and ingenuity. With his younger, socially ambitious wife, he embarks on a long-dreamed-of European tour—a seemingly perfect capstone to a successful life. But what begins as a leisurely vacation opens up profound questions about identity, marriage, and the nature of fulfillment. Can a self-made American businessman find meaning beyond his career? What happens when one spouse changes while the other remains static? The novel explores the clash between American practicality and European sophistication, between duty and self-discovery, and between the comfortable familiar and the alluring unknown.
Published in 1929, Dodsworth emerged during a significant period in Sinclair Lewis’s career, arriving four years after he won (and declined) the Pulitzer Prize for Arrowsmith and just before he became the first American to receive the Nobel Prize in Literature in 1930.
The novel’s resonance endured well beyond its publication, leading to successful adaptations in multiple media. Sidney Howard adapted it for the stage in 1934, and then wrote the screenplay for William Wyler’s acclaimed 1936 film adaptation. The film’s enduring significance was recognized in 1990 when it was selected for preservation in the National Film Registry by the Library of Congress.