The cover page is adapted from Bradbury’s Mill Pond, No. 2, a painting completed in 1903 by Henry Ward Ranger. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Henry_Ward_Rangerwww.theleagueofmoveabletype.com/
The Dewy Morn
Capítulos (55)
- Volume I: I 0:00
- II 9:18
- III 17:57
- IV 27:22
- V 36:10
- VI 49:44
- VII 1:03:49
- VIII 1:09:37
- IX 1:21:22
- X 1:31:37
- XI 1:41:24
- XII 1:54:19
- XIII 2:06:40
- XIV 2:19:08
- XV 2:32:41
- XVI 2:43:40
- XVII 2:53:37
- XVIII 3:10:25
- XIX 3:21:15
- XX 3:39:50
- XXI 3:53:30
- XXII 4:06:13
- XXIII 4:19:47
- XXIV 4:34:24
- XXV 4:47:12
- Volume II: I 5:04:34
- II 5:11:20
- III 5:22:48
- IV 5:31:29
- V 5:42:24
- VI 5:50:23
- VII 5:59:24
- VIII 6:08:05
- IX 6:19:24
- X 6:29:50
- XI 6:38:38
- XII 6:51:06
- XIII 7:01:58
- XIV 7:14:05
- XV 7:25:25
- XVI 7:35:37
- XVII 7:51:46
- XVIII 8:06:41
- XIX 8:17:14
- XX 8:27:19
- XXI 8:44:43
- XXII 8:48:24
- XXIII 9:06:48
- XXIV 9:22:04
- XXV 9:38:39
- XXVI 9:53:18
- XXVII 10:02:35
- XXVIII 10:12:48
- XXIX 10:17:14
- XXX 10:27:43
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Felise is an independent young woman living on her uncle’s farm. She is in love with Martial, the proprietor of the neighboring farm. She tries to win him over, though he has been hurt from a previous relationship and resists her bold advances. Their courtship intertwines with the stories of the other folk working the nearby farms.
Like much of the work of Richard Jefferies, The Dewy Morn is really not about the plot, and more about the feeling of the characters and the depictions of country life. This story has much in common with Jefferies’ later novel Amaryllis at the Fair, though The Dewy Morn has a slightly greater emphasis on plot, and has fewer digressions. While not one of his more well-known books, The Dewy Morn represents a further lean into the nature oriented style he would eventually come to be known for.