The cover page is adapted from Ethel, a painting completed in 1897 by Ralph Peacock. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Ralph_Peacockwww.theleagueofmoveabletype.com/
Mary Olivier: A Life
Capítulos (35)
- Book I: Infancy (1865–1869): Chapter I 0:00
- Chapter II 11:55
- Chapter III 38:17
- Chapter IV 48:56
- Chapter V 55:48
- Book II: Childhood (1869–1875): Chapter VI 1:14:17
- Chapter VII 1:53:50
- Chapter VIII 2:21:29
- Chapter IX 2:29:20
- Chapter X 2:40:00
- Chapter XI 2:45:48
- Book III: Adolescence (1876–1879): Chapter XII 2:59:54
- Chapter XIII 3:10:02
- Chapter IV 3:46:08
- Chapter XV 4:05:41
- Chapter XVI 4:08:25
- Chapter XVII 4:21:04
- Chapter XVIII 4:29:40
- Chapter XIX 4:52:40
- Book IV: Maturity (1879–1900): Chapter XX 5:10:02
- Chapter XXI 6:06:47
- Chapter XXII 6:43:21
- Chapter XXIII 6:59:45
- Chapter XXIV 7:30:25
- Chapter XXV 8:02:40
- Chapter XXVI 8:36:49
- Chapter XXVII 9:15:47
- Chapter XXVIII 10:11:40
- Chapter XXIX 10:31:37
- Chapter XXX 10:56:59
- Book V: Middle Age (1900–1910): Chapter XXXI 11:17:10
- Chapter XXXII 11:40:37
- Chapter XXXIII 12:04:06
- Chapter XXXIV 12:23:23
- Chapter XXXV 12:41:22
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Mary Olivier’s life, interior and exterior, is presented from infancy through middle age. We watch as she forms her first impressions of her family and her place in it, and as she grapples with what she’s taught about the Anglican God and His requirements. As she grows, her insatiable curiosity and hunger for knowledge put her at odds with Victorian England’s expectations for women, its tolerance for alternative spiritual beliefs, and especially with what’s acceptable to her mother.
May Sinclair was the pen name of Mary Amelia St. Clair, a pioneer of modernist poetry and prose, with the autobiographical Mary Olivier: A Life being a particular example of the latter.