The cover page is adapted from Starry Night, a painting completed in 1893 by Edvard Munch. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Edvard_Munchwww.theleagueofmoveabletype.com/

Poetry

Capítulos (115)
  1. Alaric at Rome 0:00
  2. Cromwell 15:48
  3. To a Gipsy Child by the Seashore 32:41
  4. Mycerinus 37:20
  5. The Hayswater Boat 45:45
  6. The New Sirens 48:12
  7. Desire 1:03:01
  8. The Voice 1:05:33
  9. To Fausta 1:07:50
  10. Shakespeare 1:08:55
  11. To the Duke of Wellington 1:10:01
  12. Written in Butler’s Sermons 1:11:05
  13. Written in Emerson’s Essays 1:12:07
  14. To an Independent Preacher 1:13:14
  15. In Utrumque Paratus 1:14:28
  16. Horatian Echo 1:16:58
  17. To George Cruikshank, Esq. 1:18:48
  18. Fragment of an Antigone 1:19:59
  19. Fragment of Chorus of a Dejaneira 1:25:22
  20. The Strayed Reveller 1:26:57
  21. The Sick King in Bukhara 1:39:47
  22. Resignation 1:52:01
  23. The Forsaken Merman 2:08:11
  24. The World and the Quietist 2:15:41
  25. To a Republican Friend, 1848 2:17:10
  26. Continued 2:18:02
  27. Religious Isolation 2:19:00
  28. To a Friend 2:20:00
  29. Quiet Work 2:20:55
  30. A Memory-Picture 2:21:54
  31. A Modern Sappho 2:25:35
  32. Consolation 2:28:51
  33. Sonnet to the Hungarian Nation 2:31:25
  34. Switzerland 2:32:15
  35. Stanzas in Memory of the Author of Obermann 2:49:46
  36. Human Life 2:58:21
  37. Courage 3:00:02
  38. Self-Dependence 3:01:37
  39. Destiny 3:03:39
  40. Youth’s Agitations 3:04:08
  41. The World’s Triumphs 3:05:05
  42. Empedocles on Etna 3:06:06
  43. Lines Written by a Death-Bed 4:09:20
  44. Tristram and Iseult 4:11:37
  45. Youth and Calm 4:55:59
  46. Memorial Verses 4:57:35
  47. Faded Leaves 5:01:44
  48. Calais Sands 5:06:59
  49. Urania 5:08:57
  50. Euphrosyne 5:10:45
  51. Dover Beach 5:12:15
  52. Stanzas 5:14:24
  53. The Youth of Nature 5:15:30
  54. The Youth of Man 5:22:20
  55. Lines Written in Kensington Gardens 5:27:53
  56. Morality 5:30:18
  57. Progress 5:32:19
  58. The Future 5:35:02
  59. A Summer Night 5:39:17
  60. The Buried Life 5:44:35
  61. Self-Deception 5:50:22
  62. The Second Best 5:52:21
  63. Despondency 5:53:37
  64. Revolutions 5:54:04
  65. The Neckan 5:55:22
  66. A Caution to Poets 5:58:02
  67. Stanzas from the Grande Chartreuse 5:58:16
  68. The Church of Brou 6:09:14
  69. Sohrab and Rostam 6:19:11
  70. The Scholar Gipsy 7:18:50
  71. A Dream 7:35:04
  72. Requiescat 7:37:26
  73. Philomela 7:38:15
  74. Thekla’s Answer 7:39:52
  75. Balder Dead 7:41:25
  76. Haworth Churchyard 8:59:24
  77. Early Death and Fame 9:08:11
  78. Merope 9:09:16
  79. Rugby Chapel 11:30:46
  80. Men of Genius 11:40:41
  81. Stanzas Composed at Carnac 11:42:09
  82. A Southern Night 11:44:44
  83. Saint Brandan 11:51:15
  84. Heine’s Grave 11:55:25
  85. A Picture at Newstead 12:06:09
  86. Rachel 12:07:04
  87. East London 12:09:46
  88. West London 12:10:42
  89. The Better Part 12:11:33
  90. Immortality 12:12:35
  91. Worldly Place 12:13:29
  92. The Divinity 12:14:25
  93. The Good Shepherd with the Kid 12:15:21
  94. Austerity of Poetry 12:16:17
  95. East and West 12:17:14
  96. Monica’s Last Prayer 12:18:11
  97. Palladium 12:19:15
  98. Thyrsis 12:20:58
  99. Epilogue to Lessing’s Laocoön 12:36:51
  100. A Wish 12:48:19
  101. Obermann Once More 12:51:01
  102. Persistency of Poetry 13:07:06
  103. Bacchanalia; or, the New Age 13:07:24
  104. Growing Old 13:12:44
  105. The Progress of Poesy 13:14:24
  106. A Nameless Epitaph 13:15:09
  107. The Last Word 13:15:44
  108. Pis Aller 13:16:32
  109. New Rome 13:17:10
  110. Rome-Sickness 13:18:09
  111. S.S. Lusitania 13:20:00
  112. Geist’s Grave 13:21:01
  113. Westminster Abbey 13:25:15
  114. Poor Matthias 13:36:11
  115. Kaiser Dead 13:46:18
Descargar .m4b · 807 MB

Cómo escuchar → ¿Problemas con esta narración? Avísanos →

Matthew Arnold was a cultural critic and inspector of schools in Victorian Britain. In his day he was famous for his critique of British society in Culture and Anarchy, but he was also well-known for his eclectic poetry.

Some of his poems commemorate lost loved ones, like “Thyrsis” (for his friend, the poet Arthur Hugh Clough) and “Kaiser Dead” (for a deceased dog). Others speak to ubiquitous human struggles, such as old age (in “Growing Old”) and the struggles against the natural world (“To an Independent Preacher”). Reflecting his concerns to “make the best that has been thought and known in the world current everywhere,” he also wrote poems that retell stories from world mythology like the Norse (“Balder Dead”), Iranian (“Sohrab and Rostam”), and Greek (“The Strayed Reveller,” “Merope”). He also wrote poems that tell stories closer to home, like “The Scholar Gipsy,” which is based on a 17th century story about a poor Oxford student who leaves the university to join a band of gypsies.

Ever the observer of culture, Arnold also wrote poetry speaking to issues of his own day, the most famous of which is “Dover Beach,” which compares the secularization of England with the nighttime ocean withdrawing from shore. This poem is sometimes held up as an early example of literary modernism, and also inspired the composer Samuel Barber to set the poem to music.

Arnold is highly regarded among the pantheon of Victorian poets. As the English literary critic E. K. Chambers puts it: “It is no part of my object to attempt a comparison between the best work of Matthew Arnold and that of his six greatest contemporaries. Personal taste and emotional sympathy inevitably play too great a part in any such estimate. But one may fairly maintain that the proportion of work which endures is greater in the case of Matthew Arnold than in that of any one of them.”

Narración
Qwen3-TTS Aiden
Duración
13 h 50 min
Idioma
English
Añadido
18 de septiembre de 2026
Libro electrónico original
Standard Ebooks
Licencia
Public domain