The cover page is adapted from Portrait of Efim Repin, the Artist’s Father, a painting completed in 1879 by Ilya Repin. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Ilya_Repinwww.theleagueofmoveabletype.com/

Resurrection

Capítulos (131)
  1. Translator’s Preface 0:00
  2. Epigraph 1:29
  3. Book I: I 2:20
  4. II 10:01
  5. III 24:58
  6. IV 36:33
  7. V 42:19
  8. VI 47:55
  9. VII 55:04
  10. VIII 1:01:56
  11. IX 1:09:02
  12. X 1:17:34
  13. XI 1:24:11
  14. XII 1:38:06
  15. XIII 1:49:18
  16. XIV 1:58:19
  17. XV 2:07:38
  18. XVI 2:18:12
  19. XVII 2:25:01
  20. XVIII 2:32:25
  21. XIX 2:38:16
  22. XX 2:43:47
  23. XXI 2:51:32
  24. XXII 3:03:04
  25. XXIII 3:10:13
  26. XXIV 3:28:17
  27. XXV 3:35:02
  28. XXVI 3:38:50
  29. XXVII 3:50:58
  30. XXVIII 4:03:25
  31. XXIX 4:18:16
  32. XXX 4:25:54
  33. XXXI 4:33:02
  34. XXXII 4:40:25
  35. XXXIII 4:49:45
  36. XXXIV 4:58:55
  37. XXXV 5:10:23
  38. XXXVI 5:16:44
  39. XXXVII 5:21:54
  40. XXXVIII 5:30:23
  41. XXXIX 5:35:33
  42. XL 5:44:12
  43. XLI 5:50:29
  44. XLII 6:01:06
  45. XLIII 6:06:10
  46. XLIV 6:19:45
  47. XLV 6:25:44
  48. XLVI 6:40:57
  49. XLVII 6:47:31
  50. XLVIII 6:53:37
  51. XLIX 7:01:32
  52. L 7:08:40
  53. LI 7:17:10
  54. LII 7:24:33
  55. LIII 7:29:59
  56. LIV 7:35:38
  57. LV 7:41:15
  58. LVI 7:46:17
  59. LVII 7:51:42
  60. LVIII 8:00:32
  61. LIX 8:06:59
  62. Book II: I 8:16:43
  63. II 8:29:41
  64. III 8:38:28
  65. IV 8:44:33
  66. V 8:53:49
  67. VI 9:02:55
  68. VII 9:15:53
  69. VIII 9:24:00
  70. IX 9:32:10
  71. X 9:46:08
  72. XI 9:56:08
  73. XII 10:01:23
  74. XIII 10:06:44
  75. XIV 10:19:42
  76. XV 10:32:13
  77. XVI 10:44:02
  78. XVII 10:53:14
  79. XVIII 11:00:36
  80. XIX 11:08:09
  81. XX 11:22:34
  82. XXI 11:30:58
  83. XXII 11:39:04
  84. XXIII 11:45:03
  85. XXIV 11:53:54
  86. XXV 12:09:39
  87. XXVI 12:20:07
  88. XXVII 12:24:38
  89. XXVIII 12:38:45
  90. XXIX 12:48:04
  91. XXX 13:01:38
  92. XXXI 13:12:35
  93. XXXII 13:18:41
  94. XXXIII 13:31:23
  95. XXXIV 13:40:28
  96. XXXV 13:52:01
  97. XXXVI 14:00:04
  98. XXXVII 14:09:59
  99. XXXVIII 14:20:56
  100. XXXIX 14:28:28
  101. XL 14:41:29
  102. XLI 14:52:20
  103. XLII 15:07:21
  104. Book III: I 15:16:54
  105. II 15:23:12
  106. III 15:28:27
  107. IV 15:34:18
  108. V 15:40:35
  109. VI 15:50:13
  110. VII 16:01:04
  111. VIII 16:06:50
  112. IX 16:15:08
  113. X 16:20:19
  114. XI 16:24:33
  115. XII 16:32:48
  116. XIII 16:44:44
  117. XIV 16:50:21
  118. XV 16:55:43
  119. XVI 17:00:41
  120. XVII 17:08:48
  121. XVIII 17:14:13
  122. XIX 17:21:25
  123. XX 17:33:28
  124. XXI 17:41:45
  125. XXII 17:48:31
  126. XXIII 17:58:33
  127. XXIV 18:05:53
  128. XXV 18:17:56
  129. XXVI 18:25:49
  130. XXVII 18:29:52
  131. XXVIII 18:36:02
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Resurrection, the last full-length novel written by Leo Tolstoy, was published in 1899 after ten years in the making. A humanitarian cause—the pacifist Doukhobor sect, persecuted by the Russian government, needed funds to emigrate to Canada—prompted Tolstoy to finish the novel and dedicate its ensuing revenues to alleviate their plight. Ultimately, Tolstoy’s actions were credited with helping hundreds of Doukhobors emigrate to Canada.

The novel centers on the relationship between Nekhlúdoff, a Russian landlord, and Máslova, a prostitute whose life took a turn for the worse after Nekhlúdoff wronged her ten years prior to the novel’s events. After Nekhlúdoff happens to sit in the jury for a trial in which Máslova is accused of poisoning a merchant, Nekhlúdoff begins to understand the harm he has inflicted upon Máslova—and the harm that the Russian state and society inflicts upon the poor and marginalized—as he embarks on a quest to alleviate Máslova’s suffering.

Nekhlúdoff’s process of spiritual awakening in Resurrection serves as a framing for many of the novel’s religious and political themes, such as the hypocrisy of State Christianity and the injustice of the penal system, which were also the subject of Tolstoy’s nonfiction treatise on Christian anarchism, The Kingdom of God Is Within You. The novel also explores the “single tax” economic theory propounded by the American economist Henry George, which drives a major subplot in the novel concerning the management of Nekhlúdoff’s estates.

Narración
Qwen3-TTS Aiden
Duración
18 h 51 min
Idioma
English
Publicado
17 de septiembre de 2026
Libro electrónico original
Standard Ebooks
Licencia
Public domain