The cover page is adapted from The Sunlight, a painting completed circa 1890 by Ture Nikolaus Cederström. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. www.theleagueofmoveabletype.com/
Within and Without
Capítulos (31)
- To L. P. M. D. 0:00
- Epigraph 1:03
- Part I 1:17
- Part II 42:05
- Part III 1:38:43
- Part IV: Scene I 2:42:21
- Part IV — Scene II 2:49:32
- Part IV — Scene III 2:51:19
- Part IV — Scene IV 2:58:38
- Part IV — Scene V 3:01:11
- Part IV — Scene VI 3:04:59
- Part IV — Scene VII 3:06:09
- Part IV — Scene VIII 3:06:23
- Part IV — Scene IX 3:09:05
- Part IV — Scene X 3:12:20
- Part IV — Scene XI 3:20:52
- Part IV — Scene XII 3:25:19
- Part IV — Scene XIII 3:27:32
- Part IV — Scene XIV 3:29:49
- Part IV — Scene XV 3:31:33
- Part IV — Scene XVI 3:38:40
- Part IV — Scene XVII 3:40:40
- Part IV — Scene XVIII 3:51:37
- Part IV — Scene XIX 3:55:45
- Part IV — Scene XX 4:01:44
- Part IV — Scene XXI 4:03:36
- Part IV — Scene XXII 4:12:46
- Part IV — Scene XXIII 4:14:03
- Part IV — Scene XXIV 4:17:56
- Part IV — Scene XXV 4:19:14
- Part V 4:26:58
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Brother Julian is far from an exemplary monk: he takes no joy in monastery life, feels no connection with God, and continuously dwells on the mysterious life he left behind. When he learns that a woman from his past needs his help, he must choose between his duty to the Church and his duty to his conscience.
George MacDonald’s earliest published work, and his only poetic drama, Within and Without chronicles a monk’s journey to know God as he experiences love, death, and joy. Notably, it contains one of MacDonald’s earliest works of fantasy prose: a passage read by Julian from the fictitious book, The Singer.