The cover page is adapted from The Grove, Hampstead, a painting completed between 1821 and 1822 by John Constable. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/John_Constablewww.theleagueofmoveabletype.com/
Middlemarch
Capítulos (89)
- Dedication 0:00
- Prelude 0:08
- Book I: Miss Brooke: I 3:38
- Book I: Miss Brooke — II 25:17
- Book I: Miss Brooke — III 44:49
- Book I: Miss Brooke — IV 1:13:42
- Book I: Miss Brooke — V 1:32:36
- Book I: Miss Brooke — VI 1:55:37
- Book I: Miss Brooke — VII 2:23:40
- Book I: Miss Brooke — VIII 2:34:13
- Book I: Miss Brooke — IX 2:47:15
- Book I: Miss Brooke — X 3:13:18
- Book I: Miss Brooke — XI 3:42:15
- Book I: Miss Brooke — XII 4:05:32
- Book II: Old and Young: XIII 4:48:54
- Book II: Old and Young — XIV 5:12:45
- Book II: Old and Young — XV 5:35:11
- Book II: Old and Young — XVI 6:10:56
- Book II: Old and Young — XVII 6:44:44
- Book II: Old and Young — XVIII 7:07:09
- Book II: Old and Young — XIX 7:36:28
- Book II: Old and Young — XX 7:46:41
- Book II: Old and Young — XXI 8:17:01
- Book II: Old and Young — XXII 8:37:06
- Book III: Waiting for Death: XXIII 9:13:32
- Book III: Waiting for Death — XXIV 9:43:59
- Book III: Waiting for Death — XXV 10:13:04
- Book III: Waiting for Death — XXVI 10:30:04
- Book III: Waiting for Death — XXVII 10:41:48
- Book III: Waiting for Death — XXVIII 11:04:21
- Book III: Waiting for Death — XXIX 11:17:16
- Book III: Waiting for Death — XXX 11:36:54
- Book III: Waiting for Death — XXXI 11:53:33
- Book III: Waiting for Death — XXXII 12:18:28
- Book III: Waiting for Death — XXXIII 12:47:24
- Book IV: Three Love Problems: XXXIV 13:00:50
- Book IV: Three Love Problems — XXXV 13:20:39
- Book IV: Three Love Problems — XXXVI 13:49:23
- Book IV: Three Love Problems — XXXVII 14:27:23
- Book IV: Three Love Problems — XXXVIII 15:21:49
- Book IV: Three Love Problems — XXXIX 15:42:40
- Book IV: Three Love Problems — XL 16:12:26
- Book IV: Three Love Problems — XLI 16:45:41
- Book IV: Three Love Problems — XLII 16:58:26
- Book V: The Dead Hand: XLIII 17:29:15
- Book V: The Dead Hand — XLIV 17:46:46
- Book V: The Dead Hand — XLV 17:54:23
- Book V: The Dead Hand — XLVI 18:38:42
- Book V: The Dead Hand — XLVII 19:01:17
- Book V: The Dead Hand — XLVIII 19:15:22
- Book V: The Dead Hand — XLIX 19:39:00
- Book V: The Dead Hand — L 19:48:27
- Book V: The Dead Hand — LI 20:14:19
- Book V: The Dead Hand — LII 20:46:06
- Book V: The Dead Hand — LIII 21:09:21
- Book VI: The Widow and the Wife: LIV 21:42:03
- Book VI: The Widow and the Wife — LV 22:11:16
- Book VI: The Widow and the Wife — LVI 22:22:54
- Book VI: The Widow and the Wife — LVII 23:10:26
- Book VI: The Widow and the Wife — LVIII 23:34:40
- Book VI: The Widow and the Wife — LIX 24:21:59
- Book VI: The Widow and the Wife — LX 24:29:19
- Book VI: The Widow and the Wife — LXI 24:56:08
- Book VI: The Widow and the Wife — LXII 25:31:32
- Book VII: Two Temptations: LXIII 25:59:26
- Book VII: Two Temptations — LXIV 26:18:22
- Book VII: Two Temptations — LXV 26:59:57
- Book VII: Two Temptations — LXVI 27:12:55
- Book VII: Two Temptations — LXVII 27:36:21
- Book VII: Two Temptations — LXVIII 27:55:58
- Book VII: Two Temptations — LXIX 28:14:58
- Book VII: Two Temptations — LXX 28:39:58
- Book VII: Two Temptations — LXXI 29:10:50
- Book VIII: Sunset and Sunrise: LXXII 29:51:43
- Book VIII: Sunset and Sunrise — LXXIII 30:01:16
- Book VIII: Sunset and Sunrise — LXXIV 30:11:45
- Book VIII: Sunset and Sunrise — LXXV 30:37:51
- Book VIII: Sunset and Sunrise — LXXVI 30:56:38
- Book VIII: Sunset and Sunrise — LXXVII 31:21:29
- Book VIII: Sunset and Sunrise — LXXVIII 31:39:35
- Book VIII: Sunset and Sunrise — LXXIX 31:50:15
- Book VIII: Sunset and Sunrise — LXXX 31:55:46
- Book VIII: Sunset and Sunrise — LXXXI 32:11:59
- Book VIII: Sunset and Sunrise — LXXXII 32:36:44
- Book VIII: Sunset and Sunrise — LXXXIII 32:46:24
- Book VIII: Sunset and Sunrise — LXXXIV 33:05:27
- Book VIII: Sunset and Sunrise — LXXXV 33:29:45
- Book VIII: Sunset and Sunrise — LXXXVI 33:38:17
- Finale 33:48:32
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“George Eliot” was the pen-name of Mary Ann Evans, one of the greatest of English novelists of the Victorian era. Her long novel Middlemarch, subtitled A Study of Provincial Life, is generally considered to be her finest work.
Published in eight installments between 1871 and 1872, Middlemarch tells the intertwined stories of a variety of people living in the vicinity of the (fictional) midlands town of Middlemarch during the early 1830s, the time of the great Reform Act. The novel is remarkable for its realistic treatment of situation, character and relationships and also demonstrates its author’s accurate knowledge of political issues, medicine, politics, and rural economy. Yet it also includes several touches of humor.
The novel’s main characters include: Dorothea Brooke, a religiously inclined and very intelligent young woman who marries a much older man believing that she can assist him in his scholarly studies; Dr. Tertius Lydgate, a doctor who comes to Middlemarch to further his medical research and implement his ideas for treatment, but whose plans are thrown into disarray by an unwise marriage; Fred Vincy, an idle young man, the son of the town’s Mayor, who gets into a mire of debt; and several others.
The initial reception of the novel by critics was mixed, with a number of unfavorable reviews, but its reputation has grown through time and Middlemarch is now generally considered to be one of the best novels ever written in English.