The cover page is adapted from The Triumph of Marius, a painting completed in 1729 by Giovanni Battista Tiepolo. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Giovanni_Battista_Tiepolowww.theleagueofmoveabletype.com/
The History of the Decline and Fall of the Roman Empire
Capítulos (76)
- Preface by the Editor 0:00
- Preface of the Author 36:20
- Preface to the First Volume 41:52
- Preface to the Fourth Volume of the Original Quarto Edition 43:40
- Introduction 52:15
- I 1:52:58
- II 2:53:04
- III 4:02:05
- IV 4:56:48
- V 5:41:56
- VI 6:34:23
- VII 8:07:03
- VIII 9:10:20
- IX 9:49:49
- X 10:45:54
- XI 12:28:23
- XII 13:47:49
- XIII 15:04:42
- XIV 16:44:33
- XV 18:34:24
- XVI 21:12:52
- XVII 23:46:56
- XVIII 25:46:32
- XIX 27:22:07
- XX 28:59:13
- XXI 30:25:02
- XXII 32:48:39
- XXIII 34:06:54
- XXIV 35:45:36
- XXV 37:41:43
- XXVI 40:14:48
- XXVII 42:41:37
- XXVIII 44:47:50
- XXIX 45:46:36
- XXX 46:40:09
- XXXI 48:18:38
- XXXII 50:56:03
- XXXIII 52:16:43
- XXXIV 53:03:41
- XXXV 54:13:00
- XXXVI 55:28:30
- XXXVII 57:33:35
- XXXVIII 58:59:16
- XXXIX 61:26:32
- XL 62:37:01
- XLI 64:58:52
- XLII 67:51:11
- XLIII 69:39:58
- XLIV 71:35:23
- XLV 73:59:37
- XLVI 75:24:37
- XLVII 77:28:11
- XLVIII 80:04:37
- XLIX 83:18:46
- L 85:42:39
- LI 88:52:16
- LII 92:12:03
- LIII 94:21:05
- LIV 95:58:43
- LV 96:37:35
- LVI 97:45:26
- LVII 99:40:22
- LVIII 100:55:44
- LIX 103:09:18
- LX 104:44:57
- LXI 106:27:41
- LXII 107:58:31
- LXIII 109:09:52
- LXIV 110:10:57
- LXV 111:37:11
- LXVI 113:07:30
- LXVII 114:51:37
- LXVIII 115:50:03
- LXIX 117:33:37
- LXX 119:04:47
- LXXI 120:40:49
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The History of the Decline and Fall of the Roman Empire tells the story of the Roman Empire from the time of Trajan in the third century to the fall of Constantinople in the sixteenth. Along the way Gibbon describes not only the internal issues that arise within the empire, but also the various outside forces that contribute to its fall: the Goths, Huns, Persians, Muslims, and many others. He also has two highly controversial (at the time, and still today for some) chapters on his view of the role of Christianity in the empire’s unraveling, which caused a firestorm when the first volume of the history was published.
As a history, it is perhaps without peer. Gibbon committed to studying, and quoting, first-hand sources whenever possible, and had an unerring eye for the difference between facts, opinions, and nonsense. He quoted from 1,850 unique sources written in eleven languages, and was scrupulous about referencing those sources: his text of over a million words contains almost 8,000 endnotes of another 400,000 words. Although history might be static, the study of it is not, resulting in his later nineteenth century editors adding another twenty percent to those notes with updates, corrections, and additional information that had come to light since the original publication.
But if Decline and Fall excels at history, it is even better as literature, for Gibbon was not only an outstanding historian, he was also a remarkable writer. His narrative reads more like a novel than a dry history text, and his dry wit is apparent throughout, especially in his notes.
In an effort to make it easier for the reader to refer to Gibbon’s sources if desired, this edition expands the often cryptic abbreviations used in the source references, both for the publication titles and the author’s names.