The cover page is adapted from Selly Manor, a painting completed between 1864 and 1875 by Henry Baker. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. www.theleagueofmoveabletype.com/

Orley Farm

Capítulos (80)
  1. I: The Commencement of the Great Orley Farm Case 0:00
  2. II: Lady Mason and Her Son 27:44
  3. III: The Cleeve 1:00:32
  4. IV: The Perils of Youth 1:19:12
  5. V: Sir Peregrine Makes a Second Promise 1:36:07
  6. VI: The Commercial Room, Bull Inn, Leeds 1:51:29
  7. VII: The Masons of Groby Park 2:24:12
  8. VIII: Mrs. Mason’s Hot Luncheon 2:54:57
  9. IX: A Convivial Meeting 3:09:05
  10. X: Mr., Mrs., and Miss Furnival 3:36:28
  11. XI: Mrs. Furnival at Home 3:56:33
  12. XII: Mr. Furnival’s Chambers 4:20:45
  13. XIII: Guilty, or Not Guilty 4:43:48
  14. XIV: Dinner at the Cleeve 5:08:07
  15. XV: A Morning Call at Mount Pleasant Villa 5:32:46
  16. XVI: Mr. Dockwrath in Bedford Row 5:54:27
  17. XVII: Von Bauhr 6:17:17
  18. XVIII: The English von Bauhr 6:41:21
  19. XIX: The Staveley Family 6:58:58
  20. XX: Mr. Dockwrath in His Own Office 7:31:25
  21. XXI: Christmas in Harley Street 7:51:19
  22. XXII: Christmas at Noningsby 8:16:07
  23. XXIII: Christmas at Groby Park 8:50:39
  24. XXIV: Christmas in Great St. Helens 9:09:01
  25. XXV: Mr. Furnival Again at His Chambers 9:28:00
  26. XXVI: Why Should I Not? 9:52:10
  27. XXVII: Commerce 10:20:19
  28. XXVIII: Monkton Grange 10:38:13
  29. XXIX: Breaking Covert 11:04:18
  30. XXX: Another Fall 11:26:05
  31. XXXI: Footsteps in the Corridor 11:50:16
  32. XXXII: What Bridget Bolster Had to Say 12:07:28
  33. XXXIII: The Angel of Light 12:39:20
  34. XXXIV: Mr. Furnival Looks for Assistance 13:03:39
  35. XXXV: Love Was Still the Lord of All 13:21:40
  36. XXXVI: What the Young Men Thought About It 13:54:31
  37. XXXVII: Peregrine’s Eloquence 14:16:01
  38. XXXVIII: Oh, Indeed! 14:37:12
  39. XXXIX: Why Should He Go? 14:55:21
  40. XL: I Call It Awful 15:32:55
  41. XLI: How Can I Save Him? 15:50:21
  42. XLII: John Kenneby Goes to Hamworth 16:15:10
  43. XLIII: John Kenneby’s Courtship 16:34:44
  44. XLIV: Showing How Lady Mason Could Be Very Noble 16:55:58
  45. XLV: Showing How Mrs. Orme Could Be Very Weak Minded 17:27:12
  46. XLVI: A Woman’s Idea of Friendship 17:56:53
  47. XLVII: The Gem of the Four Families 18:15:33
  48. XLVIII: The Angel of Light Under a Cloud 18:36:03
  49. XLIX: Mrs. Furnival Can’t Put Up with It 19:03:20
  50. L: It Is Quite Impossible 19:25:33
  51. LI: Mrs. Furnival’s Journey to Hamworth 19:59:44
  52. LII: Showing How Things Went on at Noningsby 20:20:45
  53. LIII: Lady Mason Returns Home 20:41:18
  54. LIV: Telling All That Happened Beneath the Lamppost 21:10:28
  55. LV: What Took Place in Harley Street 21:33:53
  56. LVI: How Sir Peregrine Did Business with Mr. Round 21:56:41
  57. LVII: The Loves and Hopes of Albert Fitzallen 22:18:18
  58. LVIII: Miss Staveley Declines to Eat Minced Veal 22:40:23
  59. LIX: No Surrender 23:10:19
  60. LX: What Rebekah Did for Her Son 23:32:07
  61. LXI: The State of Public Opinion 23:56:29
  62. LXII: What the Four Lawyers Thought About It 24:20:14
  63. LXIII: The Evening Before the Trial 24:41:55
  64. LXIV: The First Journey to Alston 25:09:12
  65. LXV: Felix Graham Returns to Noningsby 25:31:47
  66. LXVI: Showing How Miss Furnival Treated Her Lovers 25:59:41
  67. LXVII: Mr. Moulder Backs His Opinion 26:22:10
  68. LXVIII: The First Day of the Trial 26:39:34
  69. LXIX: The Two Judges 27:06:22
  70. LXX: How Am I to Bear It? 27:25:47
  71. LXXI: Showing How John Kenneby and Bridget Bolster Bore Themselves in Court 27:51:25
  72. LXXII: Mr. Furnival’s Speech 28:20:33
  73. LXXIII: Mrs. Orme Tells the Story 28:41:43
  74. LXXIV: Young Lochinvar 29:09:22
  75. LXXV: The Last Day 29:30:35
  76. LXXVI: I Love Her Still 29:57:09
  77. LXXVII: John Kenneby’s Doom 30:18:58
  78. LXXVIII: The Last of the Lawyers 30:39:58
  79. LXXIX: Farewell 31:07:59
  80. LXXX: Showing How Affairs Settled Themselves at Noningsby 31:35:13
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When the elderly magnate Sir Joseph Mason died, he left behind a very young widow and their little boy. This was his second marriage, the children by his first wife being fully grown with families of their own. He left his main Yorkshire estate to his eldest son, also Joseph Mason, but a codicil to his will left his town estate, Orley Farm, to the infant son of his second marriage. The eldest son believed his father intended to leave him the full estate, however, and the matter was taken up in court. The codicil was proved, despite irregularities, and Orley Farm became the home of Lady Mason and her boy, Lucius.

This is the state of affairs as Orley Farm begins, with Lucius now coming of age and taking possession of his inheritance. Owing to his own ambitious and stern personality—something of a Mason family trait—he claims back some acres that a local solicitor had been managing. The aggrieved solicitor cannot let matters rest, goes back over old papers, and discovers evidence which he believes demonstrates that the eldest son, Joseph Mason, had been in the right all along.

This sets in motion the main plot of the novel, declared already in its opening paragraph. But the plot thickens nicely and, as the legal case develops, a number of subplots emerge. The neighboring gentry, the lawyers, the judges, the witnesses—these each have their own tales to tell, and across generations: both the older ones who remember the original case, and the younger ones (contemporaries of Lucius Mason himself) embarking on adult life, with hopes and ideals of their own.

As ever, Trollope will not (and, it appears, cannot) keep secrets from his readers. The inherent drama of “Did she? or didn’t she?” is of little concern to Trollope’s crafting of the plot. In his autobiography he expresses some regret that he didn’t withhold a little more from the reader to heighten the drama, although he was pleased overall with the story itself. Despite this, his chief gifts as a novelist reach maturity with Orley Farm—his insight into human nature in particular—and these gifts have ample scope for expression in a novel deeply engaged in the great themes of sin and forgiveness, greed and avarice, truth and justice. It’s no wonder that C. P. Snow includes Orley Farm as one of his recommended entry points into Trollope’s vast body of work.

Narración
Qwen3-TTS Aiden
Duración
31 h 55 min
Idioma
English
Publicado
18 de septiembre de 2026
Libro electrónico original
Standard Ebooks
Licencia
Public domain