The cover page is adapted from The Night Watch, a painting completed in 1642 by Rembrandt van Rijn. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Rembrandtwww.theleagueofmoveabletype.com/
The Vicomte de Bragelonne
Capítulos (270)
- Introductory Note 0:00
- Part I: The Vicomte de Bragelonne: 1: The Letter 13:05
- 2: The Messenger 34:12
- 3: The Interview 51:45
- 4: Father and Son 1:09:17
- 5: In Which Something Will Be Said of Cropoli—Of Cropoli and of a Great Unknown Painter 1:22:16
- 6: The Unknown 1:36:27
- 7: Parry 1:51:35
- 8: What His Majesty King Louis XIV Was at the Age of Twenty-Two 2:04:54
- 9: In Which the Unknown of the Hostelry of Les Medici Loses His Incognito 2:31:27
- 10: The Arithmetic of M. de Mazarin 2:57:29
- 11: Mazarin’s Policy 3:16:37
- 12: The King and the Lieutenant 3:39:00
- 13: Marie de Mancini 3:50:47
- 14: In Which the King and the Lieutenant Each Give Proofs of Memory 4:05:01
- 15: The Proscribed 4:29:26
- 16: “Remember!” 4:42:29
- 17: In Which Aramis Is Sought, and Only Bazin Is Found 5:08:16
- 18: In Which d’Artagnan Seeks Porthos, and Only Finds Mousqueton 5:29:07
- 19: What d’Artagnan Went to Paris For 5:47:36
- 20: Of the Society Which Was Formed in the Rue des Lombards, at the Sign of the Pilon d’Or, to Carry Out the Idea of M. d’Artagnan 5:58:12
- 21: In Which d’Artagnan Prepares to Travel for the House of Planchet and Company 6:22:30
- 22: D’Artagnan Travels for the House of Planchet and Company 6:41:53
- 23: In Which the Author, Very Unwillingly, Is Forced to Write a Little History 6:58:27
- 24: The Treasure 7:27:30
- 25: The Marsh 7:44:27
- 26: Heart and Mind 8:04:37
- 27: The Next Day 8:28:09
- 28: Smuggling 8:43:51
- 29: In Which d’Artagnan Begins to Fear He Has Placed His Money and That of Planchet in the Sinking Fund 8:59:14
- 30: The Shares of Planchet and Company Rise Again to Par 9:17:50
- 31: Monck Reveals Himself 9:32:31
- 32: Athos and d’Artagnan Meet Once More at the Hostelry of the Corne du Cerf 9:42:27
- 33: The Audience 10:13:53
- 34: Of the Embarrassment of Riches 10:30:33
- 35: On the Canal 10:43:34
- 36: How d’Artagnan Drew, as a Fairy Would Have Done, a Country-Seat from a Deal Box 11:03:01
- 37: How d’Artagnan Regulated the “Assets” of the Company Before He Established Its “Liabilities” 11:22:50
- 38: In Which It Is Seen That the French Grocer Had Already Been Established in the Seventeenth Century 11:39:16
- 39: Mazarin’s Gaming Party 11:54:25
- 40: An Affair of State 12:04:55
- 41: The Recital 12:17:20
- 42: In Which Mazarin Becomes Prodigal 12:29:55
- 43: Guénaud 12:40:13
- 44: Colbert 12:48:25
- 45: Confession of a Man of Wealth 12:59:51
- 46: The Donation 13:11:23
- 47: How Anne of Austria Gave One Piece of Advice to Louis XIV, and How M. Foquet Gave Him Another 13:22:49
- 48: Agony 13:43:39
- 49: The First Appearance of Colbert 14:06:44
- 50: The First Day of the Royalty of Louis XIV 14:23:26
- 51: A Passion 14:33:15
- 52: D’Artagnan’s Lesson 14:48:48
- 53: The King 15:04:59
- 54: The Houses of M. Fouquet 15:45:23
- 55: The Abbé Fouquet 16:11:47
- 56: M. de La Fontaine’s Wine 16:27:47
- 57: The Gallery of Saint-Mandé 16:36:54
- 58: Epicureans 16:49:23
- 59: A Quarter of an Hour’s Delay 17:01:00
- 60: Plan of Battle 17:16:35
- 61: The Cabaret of the Image-de-Notre-Dame 17:26:17
- 62: Vive Colbert! 17:46:06
- 63: How M. d’Eymeris’s Diamond Passed Into the Hands of M. d’Artagnan 18:01:51
- 64: On the Notable Difference d’Artagnan Finds Between Monsieur the Intendant and Monsieur the Superintendent 18:20:20
- 65: Philosophy of the Heart and Mind 18:36:42
- 66: The Journey 18:45:39
- 67: How d’Artagnan Became Acquainted with a Poet, Who Had Turned Printer for the Sake of Printing His Own Verses 18:59:50
- 68: d’Artagnan Continues His Investigations 19:19:20
- 69: In Which the Reader, No Doubt, Will Be as Astonished as d’Artagnan Was to Meet an Old Acquaintance 19:38:10
- 70: Wherein the Ideas of d’Artagnan, at First Strangely Clouded, Begin to Clear Up a Little 19:53:34
- 71: A Procession at Vannes 20:10:46
- 72: The Grandeur of the Bishop of Vannes 20:27:59
- 73: In Which Porthos Begins to Be Sorry for Having Come with d’Artagnan 20:51:55
- 74: In Which d’Artagnan Makes All Speed, Porthos Snores, and Aramis Counsels 21:18:16
- 75: In Which Monsieur Fouquet Acts 21:32:56
- 76: In Which d’Artagnan at Last Places His Hand Upon His Captain’s Commission 21:52:15
- 77: A Lover and His Mistress 22:10:14
- 78: In Which We at Length See the True Heroine of This History Appear 22:24:55
- 79: Malicorne and Manicamp 22:41:57
- 80: Manicamp and Malicorne 22:54:55
- 81: The Courtyard of the Hôtel Grammont 23:09:26
- 82: The Portrait of Madame 23:29:11
- 83: Le Havre 23:46:26
- 84: At Sea 23:58:35
- 85: The Tents 24:15:47
- 86: Night 24:41:13
- 87: From Le Havre to Paris 24:54:37
- 88: An Account of What the Chevalier de Lorraine Thought of Madame 25:18:29
- 89: The Surprise of Madame de Montalais 25:40:18
- 90: The Consent of Athos 26:04:35
- 91: Monsieur Becomes Jealous of the Duke of Buckingham 26:15:24
- 92: Forever! 26:38:40
- Part II: Louise de La Vallière: 93: King Louis XIV Does Not Think Mademoiselle de La Vallière Either Rich Enough or Pretty Enough for a Gentleman of the Rank of the Vicomte de Bragelonne 26:54:42
- 94: Sword-Thrusts in the Water 27:10:35
- 95: Sword-Thrusts in the Water (Concluded) 27:32:07
- 96: Baisemeaux de Montlezun 27:52:44
- 97: The King’s Card-Table 28:13:40
- 98: M. Baisemeaux de Montlezun’s Accounts 28:37:33
- 99: The Breakfast at Monsieur de Baisemeaux’s 29:02:23
- 100: The Second Floor of La Bertaudière 29:16:49
- 101: The Two Friends 29:36:07
- 102: Madame de Bellière’s Plate 29:56:02
- 103: The Dowry 30:09:39
- 104: Le Terrain de Dieu 30:28:38
- 105: Threefold Love 30:48:45
- 106: M. de Lorraine’s Jealousy 31:02:06
- 107: Monsieur Is Jealous of Guiche 31:20:43
- 108: The Mediator 31:39:35
- 109: The Advisers 32:00:30
- 110: Fontainebleau 32:29:35
- 111: The Bath 32:43:05
- 112: The Butterfly-Chase 32:52:49
- 113: What Was Caught After the Butterflies 33:03:28
- 114: The Ballet of the Seasons 33:27:25
- 115: The Nymphs of the Park of Fontainebleau 33:45:03
- 116: What Was Said Under the Royal Oak 34:06:37
- 117: The King’s Uneasiness 34:32:02
- 118: The King’s Secret 34:43:44
- 119: Courses de Nuit 35:05:49
- 120: In Which Madame Acquires a Proof That Listeners Hear What Is Said 35:26:37
- 121: Aramis’s Correspondence 35:45:11
- 122: The Orderly Clerk 36:06:48
- 123: Fontainebleau at Two O’Clock in the Morning 36:28:39
- 124: The Labyrinth 36:46:54
- 125: How Malicorne Had Been Turned Out of the Hotel of the Beau Paon 37:06:51
- 126: What Actually Occurred at the Inn Called the Beau Paon 37:23:11
- 127: A Jesuit of the Eleventh Year 37:49:19
- 128: The State Secret 38:02:36
- 129: A Mission 38:30:35
- 130: Happy as a Prince 38:55:52
- 131: Story of a Dryad and a Naiad 39:34:45
- 132: Conclusion of the Story of a Naiad and of a Dryad 40:07:43
- 133: Royal Psychology 40:31:42
- 134: Something That Neither Naiad nor Dryad Foresaw 40:55:12
- 135: The New General of the Jesuits 41:15:59
- 136: The Storm 41:37:42
- 137: The Shower of Rain 41:56:19
- 138: Toby 42:23:53
- 139: Madame’s Four Chances 42:43:31
- 140: The Lottery 43:00:01
- 141: Malaga 43:19:28
- 142: A Letter from M. Baisemeaux 43:48:45
- 143: In Which the Reader Will Be Delighted to Find That Porthos Has Lost Nothing of His Strength 44:00:00
- 144: The Rat and the Cheese 44:37:04
- 145: Planchet’s Country-House 44:52:12
- 146: Showing What Could Be Seen from Planchet’s House 45:05:08
- 147: How Porthos, Trüchen, and Planchet Parted with Each Other on Friendly Terms, Thanks to d’Artagnan 45:18:57
- 148: The Presentation of Porthos at Court 45:28:48
- 149: Explanations 45:37:52
- 150: Madame and de Guiche 45:54:41
- 151: Montalais and Malicorne 46:13:10
- 152: How de Wardes Was Received at Court 46:32:09
- 153: The Combat 46:58:23
- 154: The King’s Supper 47:22:51
- 155: After Supper 47:35:09
- 156: Showing in What Way d’Artagnan Discharged the Mission with Which the King Had Entrusted Him 47:43:43
- 157: The Encounter 47:59:02
- 158: The Physician 48:09:25
- 159: Wherein d’Artagnan Perceives That It Was He Who Was Mistaken, and Manicamp Who Was Right 48:19:50
- 160: Showing the Advantage of Having Two Strings to One’s Bow 48:31:48
- 161: M. Malicorne the Keeper of the Records of France 48:58:49
- 162: The Journey 49:10:07
- 163: Triumfeminate 49:28:02
- 164: The First Quarrel 49:41:04
- 165: Despair 50:02:48
- 166: The Flight 50:16:37
- 167: Showing How Louis, on His Part, Had Passed the Time from Ten to Half-Past Twelve at Night 50:31:46
- 168: The Ambassadors 50:44:11
- 169: Chaillot 51:02:15
- 170: Madame 51:24:58
- 171: Mademoiselle de La Vallière’s Pocket-Handkerchief 51:41:22
- 172: Which Treats of Gardeners, of Ladders, and Maids of Honor 51:53:07
- 173: Which Treats of Carpentry Operations, and Furnishes Details Upon the Mode of Constructing Staircases 52:09:39
- 174: The Promenade by Torchlight 52:28:20
- 175: The Apparition 52:51:12
- 176: The Portrait 53:09:48
- 177: Hampton Court 53:24:35
- 178: The Courier from Madame 53:55:16
- 179: Saint-Aignan Follows Malicorne’s Advice 54:18:33
- Part III: The Man in the Iron Mask: 180: Two Old Friends 54:30:11
- 181: Wherein May Be Seen That a Bargain Which Cannot Be Made with One Person, Can Be Carried Out with Another 55:03:17
- 182: The Skin of the Bear 55:27:58
- 183: An Interview with the Queen-Mother 55:42:00
- 184: Two Friends 56:05:54
- 185: How Jean de La Fontaine Came to Write His First Tale 56:21:02
- 186: La Fontaine in the Character of a Negotiator 56:31:31
- 187: Madame de Bellière’s Plate and Diamonds 56:47:33
- 188: M. de Mazarin’s Receipt 56:56:56
- 189: Monsieur Colbert’s Rough Draft 57:15:29
- 190: In Which the Author Thinks It Is High Time to Return to the Vicomte de Bragelonne 57:39:40
- 191: Bragelonne Continues His Inquiries 57:53:58
- 192: Two Jealousies 58:07:07
- 193: A Domiciliary Visit 58:20:10
- 194: Porthos’s Plan of Action 58:36:57
- 195: The Change of Residence, the Trapdoor, and the Portrait 58:55:23
- 196: Rivals in Politics 59:20:35
- 197: Rivals in Love 59:33:33
- 198: King and Noble 59:50:29
- 199: After the Storm 60:08:36
- 200: Heu! Miser! 60:22:43
- 201: Wounds Within Wounds 60:33:36
- 202: What Raoul Had Guessed 60:48:42
- 203: Three Guests Astonished to Find Themselves at Supper Together 61:02:44
- 204: What Took Place at the Louvre During the Supper at the Bastille 61:15:01
- 205: Political Rivals 61:34:10
- 206: In Which Porthos Is Convinced Without Having Understood Anything 61:53:08
- 207: M. de Baisemeaux’s “Society” 62:07:36
- 208: The Prisoner 62:24:21
- 209: How Mouston Had Become Fatter Without Giving Porthos Notice Thereof, and of the Troubles Which Consequently Befell That Worthy Gentleman 63:29:14
- 210: Who Messire Jean Percerin Was 63:48:01
- 211: The Patterns 64:03:07
- 212: Where, Probably, Molière Obtained His First Idea of the Bourgeois Gentilhomme 64:26:10
- 213: The Beehive, the Bees, and the Honey 64:40:36
- 214: Another Supper at the Bastille 65:02:12
- 215: The General of the Order 65:19:04
- 216: The Tempter 65:38:48
- 217: Crown and Tiara 66:00:21
- 218: The Château de Vaux-le-Vicomte 66:20:01
- 219: The Wine of Melun 66:32:59
- 220: Nectar and Ambrosia 66:46:10
- 221: A Gascon, and a Gascon and a Half 66:57:18
- 222: Colbert 67:26:01
- 223: Jealousy 67:41:08
- 224: High Treason 67:57:14
- 225: A Night at the Bastille 68:19:35
- 226: The Shadow of M. Fouquet 68:36:55
- 227: The Morning 69:15:08
- 228: The King’s Friend 69:34:29
- 229: Showing How the Countersign Was Respected at the Bastille 70:12:49
- 230: The King’s Gratitude 70:30:53
- 231: The False King 70:50:25
- 232: In Which Porthos Thinks He Is Pursuing a Duchy 71:14:51
- 233: The Last Adieux 71:27:50
- 234: Monsieur de Beaufort 71:40:20
- 235: Preparations for Departure 71:59:28
- 236: The Inventory of Planchet 72:19:19
- 237: The Inventory of M. de Beaufort 72:31:49
- 238: The Silver Dish 72:46:21
- 239: Captive and Jailers 73:04:01
- 240: Promises 73:27:02
- 241: Among Women 73:55:51
- 242: The Last Supper 74:15:54
- 243: In M. Colbert’s Carriage 74:33:01
- 244: The Two Lighters 74:49:49
- 245: Friendly Advice 75:07:03
- 246: How the King, Louis XIV, Played His Little Part 75:20:23
- 247: The White Horse and the Black Horse 75:39:49
- 248: In Which the Squirrel Falls—In Which the Adder Flies 75:58:45
- 249: Belle-Île-en-Mer 76:20:40
- 250: Explanations by Aramis 76:43:12
- 251: Result of the Ideas of the King, and the Ideas of d’Artagnan 77:09:11
- 252: The Ancestors of Porthos 77:15:28
- 253: The Son of Biscarrat 77:25:11
- 254: The Grotto of Locmaria 77:39:02
- 255: The Grotto 77:53:34
- 256: An Homeric Song 78:12:30
- 257: The Death of a Titan 78:24:45
- 258: The Epitaph of Porthos 78:40:29
- 259: The Round of M. de Gesvres 78:56:57
- 260: King Louis XIV 79:10:23
- 261: The Friends of M. Fouquet 79:30:22
- 262: Porthos’s Will 79:46:39
- 263: The Old Age of Athos 80:00:14
- 264: The Vision of Athos 80:13:24
- 265: The Angel of Death 80:28:25
- 266: The Bulletin 80:40:09
- 267: The Last Canto of the Poem 80:54:49
- Epilogue 81:10:23
- The Death of d’Artagnan 81:54:15
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The last and longest of Dumas’ three d’Artagnan novels, The Vicomte de Bragelonne finds the four musketeers, Aramis, Athos, Porthos, and d’Artagnan, in their later years, and for the first time keeping secrets that are not to be shared with each other.
Louis XIV is now an adult, and the regency of his mother is at an end. D’Artagnan is still his Lieutenant of Musketeers, Athos has raised his son Raoul (the Vicomte de Bragelonne of the title) to adulthood, and Aramis and Porthos are engaged in a mystery that is not touched on until well into the novel. There are adventures involving Charles II of England, the son of the doomed king the musketeers could not save from Cromwell in Twenty Years After, romances of Louis’ early court, intrigues involving Louis’ finance ministers, and, ultimately, Dumas’ fictional explanation of a centuries-long mystery involving an unidentified prisoner in the Bastille.
The original French serialization of The Vicomte de Bragelonne took three years because of the size of the work. English translations were typically divided into three, four, or occasionally as many as six parts; in the three-volume editions, each volume had as many words as The Three Musketeers. This edition is presented in a single ebook.
The Vicomte de Bragelonne brings a satisfying conclusion to one of the greatest adventure series of all time. Like The Three Musketeers, the final part of The Vicomte de Bragelonne, “The Man in the Iron Mask,” has been adapted many times for stage, film, television, and animation.