The cover page is adapted from Mount Starr King, Yosemite, a painting completed in 1866 by Albert Bierstadt. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Albert_Bierstadtwww.theleagueofmoveabletype.com/
The Country of the Pointed Firs
Chapters (21)
- I: The Return 0:00
- II: Mrs. Todd 1:52
- III: The Schoolhouse 11:28
- IV: At the Schoolhouse Window 15:58
- V: Captain Littlepage 21:26
- VI: The Waiting Place 34:13
- VII: The Outer Island 47:29
- VIII: Green Island 54:18
- IX: William 1:15:57
- X: Where Pennyroyal Grew 1:22:29
- XI: The Old Singers 1:32:46
- XII: A Strange Sail 1:39:38
- XIII: Poor Joanna 1:53:50
- XIV: The Hermitage 2:15:48
- XV: On Shell-Heap Island 2:30:50
- XVI: The Great Expedition 2:38:18
- XVII: A Country Road 2:50:46
- XVIII: The Bowden Reunion 3:04:48
- XIX: The Feast’s End 3:29:09
- XX: Along Shore 3:40:16
- XXI: The Backward View 4:08:52
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The Country of the Pointed Firs was first published in serial form in 1896 in The Atlantic, then later expanded into a novel.
The narrator, like Jewett, is a middle-aged female writer. She goes to the fictional coastal town of Dunnet Landing in Maine to find time and space to write. There she meets its residents, including her landlady, Mrs. Almira Todd, a widow and herbalist; she rents the empty schoolhouse as a place to write; and she sails with Mrs. Todd to meet Mrs. Todd’s brother and elderly mother. The Country of the Pointed Firs is not so much concerned with plot, but with place—its rhythms, its people and its language. It captures the isolation, community and languishing of a small town.
It is often described as Jewett’s finest work, and one of the most influential works of American literary regionalism. Willa Cather considered it one of the most enduring American literary works of all time.