The cover page is adapted from The Age of Innocence, a painting completed circa 1785 by Joshua Reynolds. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Joshua_Reynoldswww.theleagueofmoveabletype.com/
The Maid of Sker
Chapters (68)
- Epigraph: I: Fisherman Davy a Fish Out of Water 0:00
- II: Hunger Drives Him A-Fishing 5:36
- III: The Fish Are as Hungry as He Is 17:35
- IV: He Lands an Unexpected Fish 31:25
- V: A Little Orphan Mermaid 40:20
- VI: Finds a Home of Some Sort 57:32
- VII: Boat Versus Bardie 1:13:33
- VIII: Children Will Be Children 1:28:50
- IX: Sandhills Turned to Sand-Holes 1:43:42
- X: Under the Rock 2:03:25
- XI: A Wrecker Wrecked 2:17:19
- XII: How to Sell Fish 2:38:24
- XIII: The Coroner and the Coronet 2:58:44
- XIV: In Accordance with the Evidence 3:15:37
- XV: A Verdict on the Jury 3:33:08
- XVI: Truth Lies Sometimes in a Well 3:47:30
- XVII: For a Little Change of Air 4:08:35
- XVIII: Public Approbation 4:32:22
- XIX: A Craft Beyond the Law 4:56:18
- XX: Confidential Intercourse 5:14:33
- XXI: Cross-Examination 5:34:37
- XXII: Another Disappointment 5:50:58
- XXIII: Into Good Society 6:07:21
- XXIV: Sound Investments 6:25:19
- XXV: A Long Goodbye 6:46:29
- XXVI: Braunton Burrows 7:05:39
- XXVII: A Fine Spectacle 7:24:50
- XXVIII: Something About Him 7:42:34
- XXIX: A Visit to a Parson 7:59:37
- XXX: On Duty 8:30:03
- XXXI: Two Lovers 8:50:42
- XXXII: Among the Savages 9:06:36
- XXXIII: In a State of Nature 9:30:43
- XXXIV: Waiting and Learning 9:57:27
- XXXV: The Polite Ferryman 10:20:05
- XXXVI: Under Fairer Auspices 10:41:40
- XXXVII: Two Poor Children 11:01:11
- XXXVIII: A Fine Old Gentleman 11:21:10
- XXXIX: Notice to Quit 11:45:55
- XL: Forcible Ejectment 12:06:36
- XLI: The Right Man in the Right Place 12:33:20
- XLII: The Little Maid, and the Midshipman 13:01:14
- XLIII: A Fine Price for Bardie 13:20:56
- XLIV: Provides for Education 13:44:42
- XLV: Introduces a Real Hero 14:03:36
- XLVI: After Seven Years 14:23:13
- XLVII: Mischief in a Household 14:41:32
- XLVIII: A Breathless Disinterment 15:03:56
- XLIX: One Who Has Interred Himself 15:24:34
- L: A Brave Man Runs Away 15:44:58
- LI: Triple Education 16:02:37
- LII: Great March of Intellect 16:20:34
- LIII: Beating Up for the Navy 16:46:43
- LIV: Taming of the Savages 17:19:20
- LV: Upon Foreign Service 17:35:23
- LVI: Exiles of Society 17:51:24
- LVII: Many Weak Moments 18:12:43
- LVIII: More Haste, Less Speed 18:41:38
- LIX: In a Rocky Bower 18:57:26
- LX: Nelson and the Nile 19:17:44
- LXI: A Savage Deed 19:31:16
- LXII: A Rash Young Captain 19:47:27
- LXIII: Polly at Home 20:11:46
- LXIV: Susan Quite Acquits Herself 20:35:45
- LXV: So Does Poor Old Davy 20:59:59
- LXVI: The Maid at Last Is “Dentified” 21:18:17
- LXVII: Dog Eats Dog 21:32:30
- LXVIII: The Old Pitcher at the Well Again 21:52:11
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Having been invalided out of the British navy, Davy Llewellyn plies his trade as a fisherman on the south coast of Wales. Investigating the wreck of a boat during a wild storm, he discovers an infant girl—the eponymous “maid of Sker”—whom he adopts. Her beauty and wit win a place in his heart that his own orphaned granddaughter can’t compete with. Llewellyn’s maritime activities also bring him to the Devonshire coast opposite his home, where he becomes embroiled with a corrupt parson. Years pass, during which Davy finds himself once again enlisted into the navy and involved in many adventures, some of which edge him closer to finding out the truth of the maid of Sker’s identity—but it’s almost twenty years before her full story is finally revealed.
R. D. Blackmore had written The Maid of Sker years before his most successful novel, Lorna Doone, and it was his personal favorite. After the success of Lorna Doone left the public wanting more of his fiction, he was able to re-draft The Maid of Sker for serialization. It shares much with Lorna Doone: a historical setting, first-person narration from a key protagonist, and evocative local environments.
Later readers have tended not to share Blackmore’s preference for The Maid of Sker; still, for all that Davy Llewellyn is something of a rogue and a less reliable, or even less likable, narrator than John Ridd, his storytelling has its own humor, charm, drama, and memorable moments.