The cover page is adapted from The Church of Vétheuil, a painting completed in 1879 by Claude Monet. The cover and title pages feature the League Spartan and Sorts Mill Goudy typefaces created in 2014 and 2009 by The League of Moveable Type. en.wikipedia.org/wiki/Claude_Monetwww.theleagueofmoveabletype.com/
Olney Hymns
Chapters (4)
- Preface 0:00
- Book I: On Select Texts of Scripture 8:19
- Book II: On Occasional Subjects 3:40:10
- Book III: On the Rise, Progress, Changes, and Comforts of the Spiritual Life 6:02:11
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John Newton was a slave trader who had a dramatic conversion to Christianity, after which he studied to be a minister. He was then appointed to the rural parish of Olney, a community largely inhabited by the impoverished and uneducated.
There he met William Cowper, an eminent poet who had moved to Olney after a bout of severe depression led him to convert to evangelical Christianity. He and Newton became friends, and Newton invited him to contribute to a hymnbook he was writing. Due to Cowper’s episodes of depression, he was only able to contribute a few hymns—of the 350, Cowper contributed only sixty-six.
Cowper’s health delayed the book’s publication until 1779, by which time the hymns had been widely circulated among evangelical churches; by 1930, these Olney Hymns had gone through more than thirty-seven editions. Several of the hymns continue to be widely sung, most notably “Amazing Grace.”
The hymns use simple meters and are easily sung, with Newton himself going so far as to say they were written for “plain people.” Their simplicity, ease of singing, and expression of deep, personal, and fervent faith served generations of Christian churches.