Critical and Historical Essays / Lectures delivered at Columbia University

Chapters (23)

CRITICAL AND HISTORICAL ESSAYS: PREFACE 0:00
CRITICAL AND HISTORICAL ESSAYS I THE ORIGIN OF MUSIC 4:40
II ORIGIN OF SONG vs. ORIGIN OF INSTRUMENTAL MUSIC 26:00
III THE MUSIC OF THE HEBREWS AND THE HINDUS 49:22
IV THE MUSIC OF THE EGYPTIANS, ASSYRIANS, AND CHINESE 1:03:52
V THE MUSIC OF THE CHINESE (Continued) 1:20:14
VI THE MUSIC OF GREECE 1:40:51
VII THE MUSIC OF THE ROMANS—THE EARLY CHURCH 2:09:32
VIII FORMATION OF THE SCALE—NOTATION 2:31:23
IX THE SYSTEMS OF HUCBALD AND GUIDO D'AREZZO—THE BEGINNING OF COUNTERPOINT 2:49:22
X MUSICAL INSTRUMENTS—THEIR HISTORY AND DEVELOPMENT 3:03:01
XI FOLK SONG AND ITS RELATION TO NATIONALISM IN MUSIC 3:16:43
XII THE TROUBADOURS, MINNESINGERS AND MASTERSINGERS 3:34:33
XIII EARLY INSTRUMENTAL FORMS 3:53:57
XIV THE MERGING OF THE SUITE INTO THE SONATA 4:12:10
XV THE DEVELOPMENT OF PIANOFORTE MUSIC 4:27:51
XVI THE MYSTERY AND MIRACLE PLAY 4:36:12
XVII OPERA 4:42:41
XVIII OPERA (Continued) 5:04:15
XIX ON THE LIVES AND ART PRINCIPLES OF SOME SEVENTEENTH AND EIGHTEENTH CENTURY COMPOSERS 5:21:20
XX DECLAMATION IN MUSIC 5:47:55
XXI SUGGESTION IN MUSIC 5:57:49
INDEX 6:16:13